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ultramax vs fujifilm400

Fujifilm 400 (made in the USA) vs. Kodak Ultramax 400 – The Same, or Different…?

With color films often in short supply and prices continuing to increase, it was sad news when Fuji “paused” Superia X-TRA 400 in April of this year. It’s reasonable to see this as yet another Fuji film being discontinued. Just a short time later, however, news of a new Fujifilm 400 surfaced. A similar sequence …

Fujifilm 400 (made in the USA) vs. Kodak Ultramax 400 – The Same, or Different…? Read More

Finding Kodachrome - by Zheng Li for 35mmc

Finding Kodachrome and Bringing Back Color (the Digital Way)- By Zheng Li

Some of us know Kodachrome from the iconic Afghan Girl photo by National Geographic’s Steve McCurry. Some of us might even have watched the 2017 movie of the same name, about an estranged son trying to develop the last few rolls of exposed Kodachrome from his late father. Some of us, lucky enough, might have even shot, developed and marvelled at those glorious Kodachrome slides on a light table or through a projector.

But Kodachrome is no more: Kodak stopped its production in 2009, while Dwayne’s (the last lab that processed Kodachrome, and featured in the movie) ran out of K-14 chemistry in 2010. So it became more a memory of the past, like many other discontinued film stocks. But Kodachrome holds a special place in many photographer’s hearts, a nostalgic milestone in the photographic journey. 

Then I found 6 rolls of Kodachrome.

Documenting Beijing’s Modern Architecture – By Yuze Chen

If I had to come up with one thing, I thank Covid-19 for getting me back into film photography (if using my dad’s point-and-shoot to take family photos in the 90s counts as having been into it).

Back in the beginning of 2020 when I was stuck at home and only a few months into photography, the film SLR look of my recently acquired Fujifilm XT-30 reminded my dad of his good old days of being a photography enthusiast. Topics like how to get the perfect exposure, developing black and white films, composition in different circumstances, you name it, he just couldn’t shut up! So I asked him the whereabouts of those film point-and-shoots I used to use. To my surprise, not only did I reunite with the Pentax Zoom 90 WR after two decades, there was also a Nikkor 50mm f1.4 AF-D sitting in the cabinet without a pairing body.

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