5 Frames with Minolta Alpha 7D – Dating My First Love Again

By Eagle Omomuro

Shortly after I started photography with a Sony Alpha 100, issued by the news agency I worked for in 2006, I began dreaming about the Minolta Alpha 7D. Back then, its price was beyond my reach. Once I had saved enough, it was already the dawn of the full-frame era, and I went for a second-hand Alpha 900 instead.

Over the following decade, the advancement of digital photography threw everything old behind. The thought of getting an Alpha 7D hovered in my mind, but I wasn’t sure. I had deeply submerged into the full-frame world. And with fast autofocus and usable ISO 6400 becoming everyday norms, thanks to the Nikon D3s that served most of my journalism career, the Alpha 7D felt further and further away.

All I needed was a brainless, impulsive purchase. And so, my long-longed-for Alpha 7D made its way into my hands in April 2025.

My first impression of this ‘new’ camera was how familiar I already was with it. This is not only because I’ve used the Alpha 9 as my primary film camera for over fifteen years. It’s also because its digital interface, developed in the early years of DSLRs, is surprisingly the best I’ve ever used, even after owning or trying so many from Sony, Nikon, and Fujifilm. It’s dead simple, containing all and only the core elements of photography. Nothing more, nothing less. And the physical buttons and menu structure are arranged with perfect logic. I can find what I want exactly where I expect it to be. As you may know, I’ve always appreciated hard dials for ISO, aperture, and shutter speed, like those on my Df and X100F. But when it comes to digital interface, the Alpha 7D still remains unmatched.

As a twenty-one year old camera, it has all the flaws and restrictions of its time. The APS-C crop can be a pain. I use prime lenses only, and all of mine sit exactly at my most comfortable focal lengths. The autofocus hesitates in the dark, and noise becomes ugly at ISO 400 and above. These are serious drawbacks, especially as I love low light photography. But, of course, I expected all these already, didn’t I? It feels like going on dates with the first girlfriend of my life. I knew her little tempers, here and there, as that was just part of her nature. And if I pay attention and give her a bit more thought, everything stays sweet and young.

p.s. These photos were taken during multiple short road trips near where I live, using my Alpha 7D with 50mm f/2.8 macro, 200mm f/2.8 G, and 500mm f/8 reflex lenses. I batch-processed JPEG files with a VSCO black & white filter in Lightroom. No other edits were involved.

A horse, a truck, and two people in the distance. The noise and the blur made it feel unreal. It was an ordinary day in a Tasmanian foggy winter. A day I live just as they live theirs. But I couldn’t help wondering what kind of life it was.
Ugly, claustrophobic, and unredeemable. This scene echoes the howl inside me during an anxiety attack. It’s not about being trapped in spider threads. It’s about the dried thistle itself, just like me, utterly imperfect and powerless to escape.
The 500mm reflex collapsed the space, blending both foreground and background into a flat veil. The sheep hid in this noisy, chaotic world and gave me a glance for just a second. It feels unreachable, like something from a dream.
The storm and the mountain pushed against each other, leaving no room to breath in between. I love telephoto landscapes. The compressed perspective brings a quiet sense of peace. The 200mm G did its job well again on the Alpha 7D.
Thin fog sneaked into the valley, separating the woods from the lone tree like a blurred memory. My 50mm macro gave up on autofocus. The Alpha 7D struggled at ISO 1600, giving off a heavy, doomy tone. That’s exactly how I wanted it to be.

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About The Author

By Eagle Omomuro
Hello 35mmc community. I'm a photographer who tries to explore the unconventional. Originally trained in professional photojournalism, I’ve shifted my focus to capturing moments that express raw emotions that I call Tanha and Dukkha. My current direction is inspired by Ero Guro Nansensu, a Japanese genre that blends eroticism, sexual corruption, and decadence. Feel free to explore my work at nansensu.com.au
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Comments

Gary Smith on 5 Frames with Minolta Alpha 7D – Dating My First Love Again

Comment posted: 13/08/2025

EO Wrote: "All I needed was a brainless, impulsive purchase."

I'm pretty good at those... :-)

My first entry back into Photography was with an APS-C Sony a65. I still have it along with some A-mount glass. I never owned a Minolta.

Love your fog shots!

Thanks for your post!
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