15 August, 2026

Panoramas in the Flinders with a Nikon F2

By David Hume

There has been some nice discussion on 35mmc recently about panoramas. I like the way that people have been discussing the aesthetics of their creations and the various means by...

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14 August, 2026

Monster LA-FZ1 and 180mm AF with V1.3 Firmware (on the Nikon Zf)

By Hamish Gill

I recently published a post containing a series of photos I took at Welland Steam Fair, some of which that were taken with the Nikon Zf, Monster LA-FZ1 and Nikon 180mm with a ne...

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14 August, 2026

Two Years, Two cameras; One Lens, One Frenetic (yet calming) Event

By Hamish Gill

(Photo above from Welland Steam Fair 2025) The last two years I have taken the Nikon 180mm AF lens to Welland Steam Fair. I meant to post some of the photos last year, but I did...

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13 August, 2026

5 Frames from the Partial Eclipse 2026 (with a Panasonic LX100)

By Hamish Gill

I remember a time when something like an eclipse would almost give me a feeling of panic when it came to my photography. Like it was somehow my job to take the best photo of the...

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13 August, 2026

Homogenization of Belenzinho, São Paulo: Real Estate Transformation 2019–2025

By André Leite Coelho

Between 2019 and 2025, I worked at a company located in the Belenzinho neighborhood, in the East Zone of São Paulo, Brazil. Along with the neighborhoods of Mooca and Brás, also ...

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12 August, 2026

Processing Kodacolor-X Film in Rodinal

By brian moore

I have an interest in abandoned film. More to the point, I’m interested in abandoned film that’s been exposed yet remains undeveloped. The attraction to me is the potential reve...

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11 August, 2026

The battle of the accordion and the violin – Two Shots Story

By Andrea Monti

Feeling music performed live is a unique experience that reconnects us with our primal self, the one that lived in communities where music was part of rituals and marked the key...

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