16 October, 2026

5(ish) Frames with a Hasselblad Super Wide C

By Jeffery Luhn

I got the Hasselblad Superwide C around 1977. It was built in 1954, so it was rather old at the time. Mine was well worn, but in the 40 years I used it, it never needed servicin...

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16 October, 2026

Cemetery culture

By Walter Reumkens

Mourning, remembering, honouring, designing, maintaining, developing: a cemetery is first and foremost a place of mourning and remembrance, but also a significant cultural space...

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15 October, 2026

5 frames with a Leica M4-2, Seagull M 35mm f1.7 and Kentmere Pan 400

By Keith Smith

The trouble with having an analogue Leica M – or any other film camera really – is that you need two. After all, what if you wake up and it’s a glorious spring day, ...

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15 October, 2026

The Ludd Club – An Analog Story

By Scott Ferguson

I didn’t think all that deeply on what it means to shoot film when a well-used Hasselblad 500CM and Leica M2 fell into my lap completely out of the blue a little over two ...

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14 October, 2026

5 frames with a 85mm and a 75mm lens – Does it make a difference?

By Peter Schu

Recently, several 75mm lenses for full-frame cameras were presented by Chinese lens manufacturers. Only few 75mm lenses were produced in the past, like the Zeiss Biotar 75mm (a ...

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14 October, 2026

Digital Super 8 – Documentary Filmmaking with the Panasonic X1600 Camcorder

By Simon King

A few years ago I decided to try and incorporate video into my workflow, for the sake of having some BTS for teaching, as well as to have an extra level of “evidence”...

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