Rangefinders (Fixed Lens)

Fixed lens rangefinder film camera reviews – these cameras are similar is size to many of the scale focus film cameras found here. The main difference is that they have the added benefit of a rangefinder to help the user focus. If you are unaware of the concept of a rangefinder, you can find out more about them in this article: What is a Rangefinder Camera, and is one right for you?

As with all the content on this website, if you find something of interest, you can find more similar products by clicking on the tags you will find at the bottom of the reviews.

Contax T (front)

CONTAX T – The 1st One – A Compact, Manually-Focused Rangefinder – By ‘grain_frame’

The Contax T is a compact rangefinder introduced in 1984. It was the first in what would become a line of premium point-and-shoot cameras, a segment pioneered by Contax. It was also the first Contax camera developed since acquisition of the brand by industrial giant Kyocera (formerly Kyoto Ceramic Company), and they aimed to make a splash.

Minolta HiMatic 7s

Minolta Hi-Matic 7s – My Gateway Drug into the World of Camera Collecting – By Markus Hainz

As with most photographers over a certain age, I began my photography shooting film back in the late 1980s. By the mid 2000s I was shooting only digital for work and decided to get rid of almost all my film gear. Then around 2012 a wave of nostalgia overcame me and I decided to get myself back into shooting film. I decided to go for a Hi-Matic 7s as that was what I remember as our family camera when I was growing up and I happened to think it’s a very elegant looking rangefinder camera. Hipsters would look on in envy as I’d pass them by, camera dangling from my wrist from a hand crafted leather strap…

Yashica Electro 35 GT – Finding a Rangefinder – By Francois Marlier

My name is François, and I’m a 30 year old born in Belgium and currently living in Denmark. When I was around 15, my granddad gave me his Canon AE-1, describing it to me at the time as one of the most sold and easiest to use film cameras. This is how I started shooting, and continued shooting for a couple of years, on and off, mostly leaving the aperture on automatic and not much understanding all the subtleties and possibilities of photography.

Then in 2009-2010, as I was getting more interested and with digital SLRs all the rage, my families gifted me a Canon 500D with a 18-250 Sigma lens, which I used quite intensely, learning more about the exposure triangle, trying long exposures and light painting in the dark; shooting family events and then parties at university, and more or less letting my grandad’s camera collect dust.

In 2015, I then sold my Canon 500D and bought a second-hand Fuji film X100s – never having been a huge fan of (nor really getting skilled at) editing my photos, the Fuji was a perfect companion – good lens, fairly compact, stylish, great jpegs. And I still have it to this day.

The call of film

But then, during the pandemic, I was like many people looking for something to help me pass the time, and decided to get back into film.

Minolta Hi-Matic E – Minolta’s ‘Difficult’ Second Electro Camera – By Bob Janes

The Hi-Matic E (previously also reviewed by Hamish here) is a Minolta rangefinder with a Rokkor lens. The lens is a 40 mm f/1.7 lens of six elements in four groups. The same specification has been used in other much sought after Minolta rangefinder cameras, like the Hi-Matic 7sii.

The Minolta Hi-Matics have history. John Glenn took a rebranded (and highly modified) Hi-Matic into space. That said, the Hi-Matic E is an odd camera. Caught in an eddy; it has ‘quirks’.

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