Magnolia – Spring flowers with a Hasselblad and two Leicas

By Scott Ferguson

There are certain subjects I find myself shooting over and over again, usually because they are a point of interest in some daily or frequent ritual activity.  When I’m in Brooklyn, I have many photos of the Brooklyn and Manhattan Bridges, because they dominate the view whenever I go out to walk the dog or pick up a coffee.  Many of them are pretty similar compositions, but there are interesting differences based on time of day and time of year, weather and light conditions, river traffic, and the activities of people and animals enjoying the waterfront.  At our house in Westchester, the centerpiece of our front yard in early spring is a large pink magnolia tree.  It’s the first tree to flower and on a good year it will be chock full of gorgeous large flowers for about a fortnight.

As the tree is rather convenient to our driveway, I ended up taking a fair few photos of it in various stages of flowering as I was heading out with a loaded camera to shoot something else.  Most of these frames are a shot or two at the beginning or the end of a roll.  “Life is what happens when you are making other plans” and after a while I noticed I had built a little time study of the various stages of flowering without setting out to do so.

This is the first shot I noticed from my Lightroom Library.  I was testing out a Leica R6.2 on a 35mm Summicron that my son is loaning to me, shooting with some HP5 I had on hand.  Shooting on an SLR was a new and different experience for me after spending 7-8 months on either a Leica Rangefinder or a Hasselblad with a waist lever finder.  I was pleased with the R6.2 and the R glass is very good, and imagine I’ll be trying it out more in the coming months.

Leica R6.2, Leitz 35mm Summicron f2, HP5

I love the mood of this shot from a rainy day, just as the blossoms are starting to emerge and show their color.  This was shot with the Leica M3 as we were heading to an art opening in Garrison, NY across the river from West Point.

Leica M3, Leitz Summitar 50mm f2, Kodak Ektar 100

This is a shot taken on the Hasselblad a few days later as the flowers are starting to open.  My 80mm was in the shop getting a CLA because of an unfortunate drop, so I was interested to see how the 60mm looked with a shallow depth of field.  Pretty good, I think…

Hasselblad 500CM, Zeiss Distagon 60mm f.35, Kodak Ektar 100

I have been doing an extended series of shoots to explore different B&W stocks and on this day, I was trying out Rollei 25 RPX.  I liked the light on the blossoms and am very pleased with the quality of the flowers on B&W.

Hasselblad 500 CM, Zeiss Planar 80mm f2.8, Rollei Ortho 25

I’ve been pretty impressed with the Rollei stocks and think I’ll be using them again going forward.

Hasselblad 500 CM, Ziess Planar f2.8, Rollei Ortho 25

As the rest of our garden was starting to flower, I started to actually focus on shooting the flowers instead of grabbing a shot or two on the way to something else.  This is around the peak of the season for the magnolia and the tree was brimming with gorgeous flowers.

Leica M3, Leitz Summicron 50mm f2, Dual Range, Kodak Portra 400
Leica M3, Letz Summicron 50mm, f2, Dual Range, Kodak Portra 400

I thought this would be a good application for the Dual Range attachment on my Summicron 50mm to get closer to the flowers, and I was not disappointed with the results!

Leica M3, Leitz Summicron 50mm f2, Dual Range close up mode, Kodak Gold 200

As you can see from this ultra close up at the inside range of around 18 inches for the Summicron, here the flowers are starting to fade and brown a a bit from their peak a few days earlier.

Leica M3, Leitz Summicron 50mm f2, Dual Range close up mode, Kodak Gold 200

A pink carpet of petals was starting to form under the tree.

Leica M3, Leitz Summicron 50mm f2, Dual Range, Kodak Gold 200
Leica M3, Leitz Summicron 50mm f2, Dual Range, Kodak Ektar 100

And then another few days along, the flowers were giving way to green shoots and spring moves on toward summer.

Leica M3, Leitz Summicron 50mm f2, Dual Range, close up mode, Kodak Ektar 100

The pink carpet is now almost wall to wall, showing that it was a good year for the Magnolia.

Leica M3, Leitz Summicron 50mm f2, Dual Range, Kodak Ektar 100

See you next spring!

Leica M3, Leitz Summicron 50mm f2, Dual Range, Kodak Gold 200

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About The Author

By Scott Ferguson
Scott Ferguson is an independent film and television producer known for such films as Brokeback Mountain, Only Lovers Left Alive and The People vs. Larry Flynt, and the television shows The Night Of and Succession. While working around cameras and recorded images for his entire career, shooting still photography with vintage all manual cameras is a new and very stimulating passion.
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Comments

Steve Kotajarvi on Magnolia – Spring flowers with a Hasselblad and two Leicas

Comment posted: 18/06/2025

I really like the look from the Summitar/ektar combo. Great photos and thanks for sharing!
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Scott Ferguson replied:

Comment posted: 18/06/2025

Thanks Steve! I really like shooting with the Summitar, and think it's especially nice with color -- very rich and deep. It was originally recommended to me by Sherry Krauter, a well-known Leica repair person, who rates it as her favorite 50mm (she likes the 35mm Summaron f2.8and the 90mm non-collapsible Elmarit f2.8 as her classic Leica 3 lens kit). The Summarit is also really compact when its collapsed. With it, I can easily slide the M3 into a coat pocket so it's become part of my 'street' kit for the Leica when I don't want to run around with a shoulder bag full of gear. My copy is from1949, which is the year they introduced coating, but still has the 10 blade aperture. I like how it shoots when I'm using a shallow depth of field (in the mid 50's they switched to a 6 blade aperture, which can impact the bokeh at certain stops.) I originally picked it up when I was contemplating acquiring a Barnack iiif. I needed a screw mount lens to test the camera and the Summitar was the best looking lens they had at the vintage counter at the camera store, no noticeable haze or fungus. It wasn't terribly expensive, so I chose it for a weekend trial run with the camera. I ended up returning the Barnack as it had some mechanical issues with the frame advance and I'm not sure I would ever love the viewfinder set up on those cameras. But I really liked the lens and kept it, even though I already had two 50mm M mount lenses. Now I use the Summmitar the most of any of them.

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