5 frames from my first roll of Kentmere 200

By Roger

On the basis that with a new film it’s useful to see as many examples as possible, here are 5 frames from my first (half) roll of Kentmere 200. I put a roll in my Olympus 35ECR (rangefinder and reliable automatic exposure that I have been using on an off since the 1970s), set the ISO at box speed and then took half a roll on a visit to Oxford. I then developed this in ID-11 (1+1). Because the room temperature was 22C I decided to develop at that temperature, and using the manufacturer’s recommendations I developed for 7 mins 8 secs. Normally I would use 1+3 but, for some reason, they do not give a time for this film at that dilution. Epson Scan with auto levels, after which I just straightened a few horizons and removed a few dust spots. No other processing beyond PhotoLab’s defaults.

It was an overcast day and there was little variety in the lighting, so nothing exciting. My reaction to them is that the film is not doing badly and I like the tonal range, given the subject matter, and that the most noticeable issue is that the grain is more obvious than I had hoped, though when at web size this is hardly visible. No idea whether that was the processing or the film, though I tried to keep everything as standard as possible. Perhaps they would look better brightened a little, but I am not sure.

Given the grain, I thought I would see what Topaz Photo AI could do to it, and in the one of the post box it seemed to remove all the grain/noise nicely. I also tried the seagull photo, but it was not so good, as it seems to have interpreted the grain on the gull as texture rather than noise and did nothing.

Will I use the film again when I have used up the rolls I bought? The range of tones seems good and 200 is a useful speed, and the answer will depend on how it responds to other lighting conditions. However I suspect that most of the time, I am likely to prefer something with less grain, unless I can achieve that by adjusting the processing on my remaining rolls.

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Comments

Gary Smith on 5 frames from my first roll of Kentmere 200

Comment posted: 21/08/2025

Roger, I hope to get shots as good as yours when I compare the Retinette and the Voigtländer using Ilford Fp4+. I haven't shot 125 ISO film in 50 years and I'm only familiar with their HP5+. I wonder how Kentmere differs from Ilford now that Harmon makes it all?
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Roger replied:

Comment posted: 21/08/2025

Thanks for the comments.

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Ibraar Hussain on 5 frames from my first roll of Kentmere 200

Comment posted: 21/08/2025

You got very good pleasing tone from that film man. And I really like the compsotions!
Cheers!
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Roger replied:

Comment posted: 21/08/2025

Thank you.

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Jeffery Luhn on 5 frames from my first roll of Kentmere 200

Comment posted: 22/08/2025

Roger,
Nice shots. I have not tried Kentmere films extensively. There's been a lot written about them, both good and less than flattering. It's reasonable to assume that since it's a less costly film, it contains less silver and is not made to exacting standards. When processing in HC-110 I found the 200 grain to be objectionable, and processed in Rodinal the grain blew up in my face. My rolls had most frames bracketed, as is my approach when I test a new film. Shooting it at 100 gave me more shadow detail, but REALLY PRONOUNCED GRAIN. There may be a finer grain developer for that emulsion, like Diafine or D-23, but I felt that HP-5 performed better and was faster to boot. For me, the savings on Kentmere wasn't worth the loss of quality. Am I missing something? Any reason to try it again?
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Roger replied:

Comment posted: 22/08/2025

In posting, my mistake was not including an enlargement that shows the grain, which is not obvious in images at this resolution. I had wondered about trying Rodinal (I don't have the other developers you mention, though I could try Caffeinol), but your comment makes me think I should not. My interest was in something that might be similar to slower films (FP4, Kentmere 100) but with a little more speed. I'm not so familiar with ISO 400 films though maybe I should be.

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Jeffery Luhn replied:

Comment posted: 22/08/2025

I think I sounded harsh in my reply. Sorry. It's just that I haven't been able to get great results from Kentmere 200. My 'go to' film these days is Ilford HP5, but I shoot mostly medium format. For 35mm, I like FP4 in HC-110 or D-76, which is pretty much the same as ID-11. Ilford XP2 film is probably the finest grain 400 speed film I know for 35, but it must be processed in C-41 (color chemistry). It's a cheap and simple process, but it has to be done at 102f. Or sent to a lab that does color film.

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Roger replied:

Comment posted: 22/08/2025

Not at all harsh. There have been times when I have reacted the same way to a film coming out of the developing tank, though often assuming it was user error on my part.

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Simon Foale on 5 frames from my first roll of Kentmere 200

Comment posted: 22/08/2025

Nice compositions. T-max 400 has really fine grain, especially if you avoid Rodinal. I use Xtol (or Adox XT-3), usually at 1+1, or Pyrocat-HD. I think it will look good in plenty of other developers though. It's more expensive but given the relatively large amount of labour we invest in film photography I think it's well worth the extra money.
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Roger replied:

Comment posted: 22/08/2025

Thanks. You reinforce the message that it is worth trying some 400 ISO films.

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Simon Foale replied:

Comment posted: 22/08/2025

And as with several other 400ASA films, you can comfortably shoot T-max 400 anywhere between 200 and 800 without too much impact on tonal gradient. And you can of course also control tone with different developer dilutions and agitation regimes.

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James Billings on 5 frames from my first roll of Kentmere 200

Comment posted: 22/08/2025

Looks pretty good, nice tones and contrast. I impulse-bought a roll a few months back which is still sitting in the fridge, I'm not sure what subject I'm waiting for to try it out on!
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Roger replied:

Comment posted: 22/08/2025

Thanks for the comment. The art of matching subject to film is something I have not yet mastered.

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Steviemac on 5 frames from my first roll of Kentmere 200

Comment posted: 22/08/2025

That was a good, concise summary with excellent images. I too have tried Kentmere Pan 200, and I'm smitten with the stuff. In 35mm it's good, being a nice midway point between FP4 and HP5. The tonality and contrast of this film are excellent, especially as it's sold as a budget film. I'd used the 100 asa version but was only moderately happy with the outcome. The 200 is so much better. While I was happy enough with the results in 35mm, it's in 120 guise that it really comes into it's own. I've put four rolls through my Rolleiflex and a roll through my Zeiss Ikon Ikonta 520/2, and it has performed wonderfully. It's great to have this new film come onto the market, and kudos to Ilford for producing it.
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Roger replied:

Comment posted: 22/08/2025

Thanks for the comments. It shows that people respond differently to the same film. When I bought the film I also bought a couple of rolls of 120 but I haven't tried it yet. You remind me that I must do so.

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Curtis Heikkinen on 5 frames from my first roll of Kentmere 200

Comment posted: 23/08/2025

Very nice images and piece, Roger! As luck would have it, I just shot my first roll of Kentmere Pan 200 on my Leica M3 and 50mm Summicron lens. I was very pleased with the results. I will use this film without hesitation in the future. It was nice to see the timing of your piece. Again, very nice article, Roger.
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Roger on 5 frames from my first roll of Kentmere 200

Comment posted: 24/08/2025

Thanks for the comment.
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Russ Rosener on 5 frames from my first roll of Kentmere 200

Comment posted: 24/08/2025

Actually I think the shot of the seagull is the best from this test roll. The grain in the sky gives it a character the other shots seem to lack. The grain reminds me of the original Ilford HP-5 I used to shoot a lot in the 1980s.Visible but not unpleasant. Overcast light outdoors is always tough to shoot in. I wonder how this Kentmere 200 will look with flash or tungsten light for portraits? I will give this a try thanks to your hard work on this test and article.
A big thanks for wringing out this film for us.
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Roger replied:

Comment posted: 24/08/2025

Thanks for the response though it wasn't really hard work doing everything according to the book (box speed, standard developing time). I've no idea about other types of light because, though I have flash I hardly ever use it. I like the seagull shot because, unusually, it posed for me while the train came in. Perhaps I just have to learn to appreciate grain a bit more.

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