5 frames of Night Photography at Mount Tabor with a Pentax IQZoom/Espio 120Mi

By shawn granton

We’ve been here before. For many, night photography conjures up images of big tripods, cable releases, and an external meter with a “serious” instrument like an SLR, medium format camera, or even large format. I sometimes take that approach. But I often find myself out at night with a compact camera. This is not considered the ideal tool for the job. But I’ve gotten great results with my Olympus XA and XA2, so it can be done.

But it’s really bucking the trend of “professional” night photography with an all-singing, all-dancing compact zoom from the turn of the millennium. Sometimes I like to be an iconoclast. But sometimes I just use what I got.

And what I got in this case is a Pentax IQZoom 120Mi, known outside of the States as the Espio 120Mi. Pentax’s IQZoom/Espio lineup had a staggering number of models during the last couple decades of The Film Era. Many of them are just variations on the same theme of a smallish body, a big zoom, and automatic-everything features. While there’s a few duds and a lack of influencer-favored machines, most of them are good. By this time in photography history the big camera companies knew what they were doing.

Released in 1998, The Pentax IQZoom/Espio 120Mi is a great example of a Millennium Compact. The zoom ranges from focal lengths between 38 to 120mm. A lens of 7 elements in 6 groups ensures sharp results, though the middling maximum aperture of f/4.8 (at 38mm) will not inspire confidence in “available light” shooters. That’s why I’ve learned to embrace the flash. The other thing worth embracing is its diminutive size: 105mm x 62.5mm x 42 mm (4.1” x 2.5” x 1.7”) and just 205g (7.2 oz) sans batteries and film. And while not technically a “premium” compact in the vein of a Minolta TC-1, the brushed aluminum exterior is a big improvement over an all-plastic body.

The Indiglo-style LCD backlight comes in handy during low-light situations

But where most of the Pentax IQZoom/Espio cameras sing besides their excellent lenses is in their feature set. Yes, if you turn it on you are in full auto mode. But these cameras give a little more control than that for when you want to get creative. No, you will not be able to manually set exposure and focus, but that’s okay. (When I want that in a compact, I reach for my Olympus XA.) My most used setting is landscape mode, where the camera focuses at 10 feet (3.05m) to infinity and the flash is turned off. It’s such a useful feature, yet not all compacts of this era had it.

Then there are the features that make the Pentax IQZoom/Espio 120Mi useful for low light photography. You can put it in “Slow Shutter Speed” mode, where the flash turns off and the shutter can stay open for 2 seconds. Slow-Speed-Sync Shooting will turn on the flash at the beginning and then the shutter will stay open. To get really creative, the 120Mi has a bulb mode, which can keep the shutter open for 1 minute. (Bulb-Sync will flash first and then keep the shutter open.) Bulb mode on a camera like this is not that scientific, as I’m not really sure what aperture is set. (I’d guess f/4.8 but the manual does not shed any light.) Leave stressing out about reciprocity failure for a different camera. And since there’s not a cable release, the best way to use Bulb is with the Pentax remote shutter release, which are usually pretty cheap on eBay. Or, use the self-timer which is what I generally do for non-bulb shots. Couple this with the smallest Goby Gorillapod tripod that always lives in my bag, and I’m set for some night photography adventures!

For this bike shot I used the Bulb-Sync mode, moving the camera after the flash to get that background blur

My partner Emee and I went up to Mount Tabor for sunset on a lovely summer evening. Sitting at 636 feet (194m), this former volcano is the highest hill contained entirely in the east side of Portland, Oregon. It’s also a great place to watch day turn into night over the City of Roses. And I had my Pentax IQZoom/Espio 120Mi loaded with Kodak Ultramax 400 in my Bantam bicycle’s front bag, so I decided to have some fun and take some night photographs.

While a “real” photographer may point out some technical inadequacies with some of these photos, I think they came out well. Sometimes photography is more about feeling and having fun than technicalities. And a camera like the Pentax IQZoom/Espio 120Mi is about fun. These cameras are still pretty cheap for now, and will not last forever, so grab one while you can.

This is where Slow-Speed-Sync mode comes in handy: If I only used regular flash, there’d be little to no detail in the background

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About The Author

By shawn granton
Shawn Granton is an artist who has been exploring the area around Portland, Oregon over the last 25 years. He takes most of his photos while riding his bike around town or on a bike tour. Catch more of him on the internet here.
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Comments

Graham Line on 5 frames of Night Photography at Mount Tabor with a Pentax IQZoom/Espio 120Mi

Comment posted: 06/09/2026

One of my favorite walking spots. Thank you for the well-seen photos.
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shawn granton replied:

Comment posted: 06/09/2026

You are welcome, Graham!

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Gary Smith on 5 frames of Night Photography at Mount Tabor with a Pentax IQZoom/Espio 120Mi

Comment posted: 06/09/2026

Now I'll need to go there some night with a camera...

Thanks for an interesting piece on a bit of ancient, digital gear!
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shawn granton replied:

Comment posted: 06/09/2026

Thanks! But "ancient"? It's like 27 years old. Oh yeah, it's a film camera, not digital!

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Gary Smith replied:

Comment posted: 06/09/2026

I suppose 27 doesn't qualify as ancient. My Leica iiic is ancient.

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Keith Smith on 5 frames of Night Photography at Mount Tabor with a Pentax IQZoom/Espio 120Mi

Comment posted: 07/09/2026

These photos are actually pretty amazing! Thanks for a great article
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shawn granton replied:

Comment posted: 07/09/2026

Thank you, Keith!

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Omar Tibi on 5 frames of Night Photography at Mount Tabor with a Pentax IQZoom/Espio 120Mi

Comment posted: 07/09/2026

Nicely shot Shawn! Love seeing photographers going against the grain & experimenting with what is possible, thanks for writing this up. Night photography is a challenge, but a highly rewarding one, and it goes to show that gear is not the most limiting factor. Looking forward to seeing what else you cook up.
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shawn granton replied:

Comment posted: 07/09/2026

Thanks, Omar!

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Christian Hogue on 5 frames of Night Photography at Mount Tabor with a Pentax IQZoom/Espio 120Mi

Comment posted: 10/09/2026

Excellent stuff.. be interesting to see how cinestill 800 tungsten looks.. I find it avoids the mostly orange or warm look of daylight kodak.. I use hand rolled kodak vision 500t myself as its very affordable in asia
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shawn granton replied:

Comment posted: 10/09/2026

I've used some 800 speed film as well, sometimes Cinestill, sometimes Portra 800. It would be more ideal, but sometimes you have to run what ya brung.

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Russ Rosener on 5 frames of Night Photography at Mount Tabor with a Pentax IQZoom/Espio 120Mi

Comment posted: 10/09/2026

Back in the 1990s when I selling cameras, I recall being very impressed by what this, and some of the other compact point & shoot cameras could do. Particularly at such a great price point and easy usability. I agree with the old saying "The best camera is the one you have with you, loaded with film and ready to shoot!" In fact some of the most historic photos of the Mount St. Helens Eruption were taken with an old Argus C3 the family dug out of a closet.
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shawn granton replied:

Comment posted: 10/09/2026

Yeah, it's easy to forget how good some of these cameras were. I know that most people go for those rarified compacts but even the more consumer-minded models like the IQZoom/Espio series are pretty impressive in their own right. The key with any camera is to get to know it and learn its capabilities and drawbacks.

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