Boardwalk

5 Frames of Kodak Technical Pan developed with C41 developer

By Simon Foale

I’ve been experimenting with high resolution films of various kinds since returning to analogue photography and one of the more interesting products in this category is Kodak Technical Pan or Tech Pan. You can find the data sheet for it here.

Kodak stopped selling Tech Pan in 2004 but I’ve been able to find a few rolls (35mm and 120) at affordable prices online. Because it’s a slow (25ASA) black and white film the chances are that even really old rolls will still work just fine. The 35mm roll I’m featuring here expired in 1991. Co-incidentally this film was commonly used for electron microscopy – an imaging system I learned to use in the early 1980s as a young biologist. In fact that is how I first learned to develop black and white film and print black and white photographs. The electron microscopes I was working with then mostly used small sheet film.

Key features of this film are high resolving power, fine grain, and spectral sensitivity that extends a bit further into the red than most panchromatic films, though not as far as infrared films (including Aviphot Pan 80 AKA Rollei Retro 80S and RPX25). Oh, it’s also pretty contrasty in most developers but gives a more extended tonal range in compensating developers, or some ‘normal’ developers using compensating methods, i.e. higher dilutions with stand development or minimal agitation.

The proprietary developer for this film is called ‘Technidol’ and, like the film, is no longer available other than on the second-hand market. I haven’t seen a ‘recipe’ for this developer online but the material safety data (MSD) sheet for it shows it contains Phenidone and Hydroquinone. Technidol gives a much less steep (i.e. less contrasty) tonal curve than say HC-110. I’ve tried some alternative ‘soft’ or ‘compensating’ developers with some of the very contrasty ‘copy’ or ‘document’ films like Agfa Copex Rapid and Adox CMS20, as well as with Aviphot Pan 80, and a couple have worked pretty well. These include ‘H&W Control’, which is a highly dilute Phenidone-Hydroquinone developer (possibly quite similar to Technidol), and ‘FX1’, which is a variant of the Metol-based Beutler recipe. H&W Control was designed specifically for Copex Rapid back in the ‘70s and the recipe can be found online. I did a post about it a while ago.

In my research I came across a couple of folks, who seem to be knowledgeable in the area of black and white film development and who claimed that C41 (colour negative) developer gives excellent results with Tech Pan – I think one of them even claimed it was better than Technidol. So, since I already develop my own colour neg film at home I thought I would take a punt on this option, found a couple of development times that put me in the ball park, and lo and behold it worked a treat! I used Tetenal C41 developer that I had already used to develop six rolls of colour negative film, and developed the Tech Pan in it for 9 minutes at 20 degrees C, agitating every minute. I used a tap water stop bath and Berfix Neutral fixer (NOT C41 Blix!!). A normal acidic black and white film fixer probably would have been fine too. The negs were perhaps slightly thinner than I would prefer but they scanned just fine and have produced lots of excellent images. The only real downer with this film is that it’s stubbornly curly and requires a bit of wrangling to load into the scanner.

These images were made on a little pilgrimage I made with my parents recently to the glittering metropolis of Mareeba, on the Atherton Tablelands just west of Cairns, North Queensland, where we lived in the late ‘60s and early ‘70s, when I was in primary school. I really wanted to visit my old school as well as the old Catholic church that we attended then (I have been an atheist since high school but still had a sentimental desire to see the church). We also visited the Mareeba pool where I first became a competitive swimmer, and one of the beautiful crater lakes near Atherton. The camera used was a Nikon FM2 with Ai-s 28mm F2.8 and Ai-s Micro Nikkor 55mm F2.8 lenses. The images in this post were made on the unceded lands of the Yirrganydji, Kuku Yalinji, Muluridji, Tjapuki, Babaram and Yidinji peoples.

Mareeba Catholic Church
The Church of St Thomas of Villanova. It hasn’t changed in the 50 years since we left. But my primary school, which is right next to the church, has been so modernised I could barely recognise it. On the noticeboard inside the church was a photograph of Robert Francis Prevost (now Pope Leo XIV) standing on the lawn next to the church with the local parish priest, taken in 2005. The Mareeba catholic diocese has always belonged to the Order of Saint Augustine, which is Pope Leo’s order.
Foundation Stone of Mareeba Catholic Church
Foundation stone of the St Thomas Church. My dad, who learned Latin in school, translated it on the spot: ‘This is the first stone of the church, 7 Feb 1937, laid by Reverend John Heavey’.
Mareeba pool
The Mareeba 50m pool where I trained as a young competitive swimmer. The diving blocks have been upgraded but it is pretty much unchanged otherwise.
Lake Eacham
The forested fringes of Lake Eacham, near Yungaburra. We saw a cassowary in the car park here, which was kind of special.
Water lilies
Water lilies at Centenary Lakes, Cairns.

The featured image is of a boardwalk in a patch of preserved swamp forest near the Flecker Botanical Gardens in Cairns. This film produced some great images of plants, which I hope to feature in a later post.

I hope you have enjoyed the images. My Flickr page is here.

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About The Author

By Simon Foale
Repairing and trying out my late grandfather's 1914 No.1 Autographic Kodak Junior initially led me down the film rabbit hole but now that I'm here I might stay for a bit. I am currently based in North Queensland, Australia. I used film for over 20 years before digital but these days I'm keen to indulge my curiosity about some film types I never tried back in the day, including some of the so-called 'document' films. I also like sharing stuff from my film archive.
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Comments

Jeffery Luhn on 5 Frames of Kodak Technical Pan developed with C41 developer

Comment posted: 26/07/2025

Simone,
Great quality images. Nice compositions!
I recall shooting Tech ortho high contrast film around 1969. I think it could be processed under red safe light. Grainless with no mid tones. Just for plate making. ASA 6 or something like that. We called it litho film.

What is similar these days? Pancromatic preferred but not essential. Ideally 120 or 4x5.

Any thoughts?
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Simon Foale replied:

Comment posted: 26/07/2025

Thanks for this Jeffery. I don't know much about the ortho and litho films. I've used Adox CMS20 and Copex Rapid, both of which I think were originally copy films. I've experimented a bit with 'soft' developers (Beutler and derivatives, and H&W Control) on those and they seem to work OK but there seems to me to be a limit to what you can squeeze out of those films in terms of tonality. Tech Pan is nicer to my eye and I'm thinking about trying some other developers with it, including Xtol at maybe 1+2 dilution and intermittent agitation and I might even try stand development with Rodinal. I believe H&W Control (which you can make from scratch fairly easily, as long as you dissolve the Phenidone in alcohol) was originally formulated for Copex Rapid, and I have also read that it works well with Tech Pan, so I'll probably give it a go too.

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Jeffery Luhn replied:

Comment posted: 26/07/2025

Thanks for your reply. After doing some research I think I'll try Ilford Pan 50 in Pyro CMK and Rodinal 1:50. I've had very good results with Ilford XP2 in C-41, which appears almost grainless, but I think it's actually mushy grain. I like the tones and it's easy to print, but it doesn't have that super acuity your images have. I remember the litho film giving me a 'pen drawing' sharpness, but no gray tones. Something with more acuity and some gray scale is my goal, so I can shoot on a gray day and get sharp defined contrast. We're always chasing something, aren't we?

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Geoff Chaplin replied:

Comment posted: 26/07/2025

About 10 years ago I used high contrast lith film to make enlarged negatives. Surprisingly I found dilute paper developer gave continuous tones.

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Simon Foale replied:

Comment posted: 26/07/2025

Thanks for this Geoff. If you have any more detailed info from that exercise feel free to share.

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Geoff Chaplin replied:

Comment posted: 26/07/2025

I wish I could remember. I believe paper developer (D163 I think) is usually high contrast but I found a suggestion on the web or maybe Anschell's book that in low dilution it worked as a low contrast developer on film. I'll see if I can find any references. Of course I didn't make any notes .....

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Gary Smith on 5 Frames of Kodak Technical Pan developed with C41 developer

Comment posted: 26/07/2025

Those are some great images Simone!

Thanks for your article.
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Simon Foale replied:

Comment posted: 26/07/2025

Thanks Gary.

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Geoff Chaplin on 5 Frames of Kodak Technical Pan developed with C41 developer

Comment posted: 27/07/2025

I went to my darkroom to get some Copex Rapid this morning, came back up and turned on the PC and there you were again testing high contrast. Very impressive images and C41 clearly works very well. Another very useful post, thanks.
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Simon Foale replied:

Comment posted: 27/07/2025

And I'm still not done Geoff! I have one more story on this theme to post and then I think I'll let it go. I did follow your lead and try some Rodinal stand development - I think it's about as good as the best of the others I've tried, so thanks for your posts on that.

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