5 Frames with Expired Soviet Svema ISO 25 at Cinevilla, Tukums, Latvia

By Felix Flores Rodriguez

Father Time waits for no one — and that includes film.

I was talking with a friend of mine, one of the last camera repairmen in Riga. More about him later — I plan to write an article about his life during the Soviet Union era. For now, let’s return to the topic at hand.

Ivars owns a healthy amount of expired Soviet black-and-white and color film. He offered me five rolls ranging from ISO 64 to ISO 160. At first, I hesitated. But after a little thought, I was sold on the idea of shooting expired film.

This film dates back to 1980 — over 45 years old. I was born in 1968, so most of my childhood and teenage years were spent seeing the Soviet Union as the sworn enemy. Growing up in Puerto Rico, our neighboring island of Cuba had close ties with the Soviets.

Fast forward to 1989 — the Berlin Wall fell in a largely peaceful manner, thanks to the efforts of President Ronald Reagan and the last President of the USSR, Mikhail Gorbachev. By December 1991, the USSR flag was lowered for the last time, and the union was formally dissolved.

During the Soviet years, photographic film was produced mainly by Svema in Ukraine and Tasma in Kazan, Russia. Black-and-white film was the backbone of the industry. It was cheap, widely available, and had many uses. Some common types were Svema Foto 64, 125, and 250 for everyday negatives, along with Svema FN 32 and Tasma NK-2, NK-19. One detail I learned from Ivars: in those days, Soviet film didn’t come in canisters. If you wanted to shoot, you had to get a reusable one.

After the collapse of the USSR, Svema collapsed as well. Film had been subsidized by the government, but when that support vanished, so did the company.

In June 2010, while serving in the U.S. Army and stationed in Bamberg, Germany, I was selected at the last minute to visit Latvia. I fell in love with Riga. Five years later, in July 2015, I moved here from Doha, Qatar, and I’ve been living in Latvia ever since. Winters are cold, summers are mild, and the daylight is extreme: short in winter, endless in summer. June 21, the longest day of the year, is something you have to see.

Now to the main subject of this article — Cinevilla.

Cinevilla is an outdoor film studio built for the movie Defenders of Riga (set in 1919). It’s the largest open-scale backlot in Latvia, spanning 150 hectares with canals, bridges, a church, and pavilions. Construction started in 2004, driven by Latvian entrepreneur and filmmaker Andrejs Ēķis.

A week ago, I took a roll of Svema ISO 64 to Cinevilla. My goal was simple: shoot the entire roll and hope for the best. I was advised to expose the film at ISO 25 to give it the best chance. I believe it worked.

This was also my first time being directly involved in developing film. Ivars tried his best to guess the development time, and while it worked, he wasn’t satisfied. He later shot a new roll, developed it with a different sequence, and got better results.

My next plan is to take another roll of Svema ISO 64 and head to Tallinn, the capital of Estonia, hoping for a sunny day.

I shot this first roll with the Nikon FE2 and one of my favorite lenses, the Nikon 28mm f/2.8 AIS. I hope you enjoy the images that came out of this experiment with 45 years old Soviet film.

Station Platform View
Freight Cars and Signal Tower
Station Platform View
Abandoned Kiosk and Street Set

Thanks for your time.

You can find me on Instagram filmdrollo or in my website flo-pic.picfair.com https://florro68.github.io/felix-portfolio/#home

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About The Author

By Felix Flores Rodriguez
Hi, my name is Felix! I have been a freelance photographer in photography for over seven years. I have a wide range of experience in different types of photography, including landscape, cityscape, and wildlife. I am a very passionate photographer and have an excellent eye for detail. I am always looking for new and innovative ways to capture my subjects. I have a very natural style of photography, and my goal is always to capture the true essence of my subjects. I believe every moment is special and should be captured in a unique and memorable way. I am always striving to create beautiful and timeless images. My contact information email; is [email protected] phone number is +37122035535.
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Comments

Alastair Bell on 5 Frames with Expired Soviet Svema ISO 25 at Cinevilla, Tukums, Latvia

Comment posted: 22/10/2025

I also recently shot a roll of (modern) Svema which is rerolled and marketed here in the UK as Dragonfilm. I shot a roll of 100 and was very pleased with the results (You can see them in my upcoming Super Paxette blog on this site). I have three more rolls to shoot too, 64, 100 and 400 and am looking forward to the results once I get around to it.
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Benjamin Chan on 5 Frames with Expired Soviet Svema ISO 25 at Cinevilla, Tukums, Latvia

Comment posted: 22/10/2025

I love Riga! Hope to visit again someday. I feel the use of expired film for this location gives the right atmosphere. Nice work.
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Felix Flores Rodriguez replied:

Comment posted: 22/10/2025

Thank you! Riga is a special city I hope you get the chance to return. I agree, the expired film fit the atmosphere of Cinevilla and helped bring out that sense of another time. Glad the mood came through in the images.”

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Gary Smith on 5 Frames with Expired Soviet Svema ISO 25 at Cinevilla, Tukums, Latvia

Comment posted: 22/10/2025

I missed Latvia while on a Baltic cruise some years ago but I did enjoy my time in Tallin. I've never shot expired film and probably never will. My b&w has typically been Tri-X although I shot some Plus-X back in the day. These days I mostly shoot Tri-X or HP5+ (although I have 2 cameras loaded with FP4+ at the moment).

Your shots in the studio lot seem to benefit from the expired film as the lot itself is likely expired as well.

Thanks for posting Felix!
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Felix Flores Rodriguez replied:

Comment posted: 22/10/2025

Thanks for sharing! Tallinn has a lot of charm, but Latvia is worth a visit if you ever get the chance Cinevilla especially has its own strange character. I hear you on expired film it isn’t for everyone. I normally shoot Lomography Berlin Kino, Tri X, and HP5+ too, with some FP4+ when I want a cleaner look. For this project though, the imperfections of the old stock felt right. As you said, the film and the studio lot both carry that same sense of being ‘expired,’ and that’s what gave the images their mood. Glad you enjoyed the post.

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Marcus Gunaratnam on 5 Frames with Expired Soviet Svema ISO 25 at Cinevilla, Tukums, Latvia

Comment posted: 22/10/2025

I have never shot using expired film I need to feel that my photo efforts are valid. Even though my camera was an Olympus PenFT half frame.I used to expose mainly Ilford100 asa film exposed at 200 asa and developed using double filtered(using a buchner funnel and a venturi pump) Neofin blue as a one shot diluted 1:3, in a Paterson tank by the inversion method ,time corrected to a time/temperature chart provided by a kind boffin from Ilford UK.I also used an Aquarium heater 'modified' during winter in OZ.My efforts were in half frame which I used with an Enlarging lens(Nikkor) using stopped down aperture to extend exposure time to assist with shading/burning etc.With half frame a bit of OCD helps.I used to make slides for lectures,used on ordinary slide projectors one used the centre of the projecting lenswith little errors using the same magnification means moving the projector forther away from the screen.
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Felix Flores Rodriguez replied:

Comment posted: 22/10/2025

Thank you for sharing your process what a setup! Half frame on the PenFT, Ilford at 200, Neofin Blue, and even a modified aquarium heater that’s real dedication. I respect that need for control and validity in your results. For me, shooting expired stock was about giving my friend an outlet, since he’s not getting out as much as he once did a stage that catches up with all of us. This project wasn’t about accuracy, but about how imperfections could shape the mood, especially in a place like Cinevilla. I completely understand your approach though. Half frame slides for lectures must have been impressive, especially with the care you put into enlarging and projection. That’s the beauty of film so many ways to work with it, and each one reflects the photographer behind the camera.

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Omar Tibi on 5 Frames with Expired Soviet Svema ISO 25 at Cinevilla, Tukums, Latvia

Comment posted: 23/10/2025

Excellent study and really cool to hear how Latvia is a part of your own personal story! Love your shots and despite the age of the film, it's cool to see that it still functions to some degree. Especially given the radically different processes these were made for, the lack of light-tight cannisters, and inconsistent quality! I would even say it adds to the moodiness of your photos, combined with your subject they feel like they belong to that period in itme.

It's a shame that Svema died with the USSR. While far from perfect I really like the different look of these Eastern bloc films, and I'm always in favor of more competition. Aside from hard-to-find Tasma technical films (only available via Astrum/Svema & Dragonfilm), I think only Foma and ORWO films still maintain that style.

Very excited to see how Tallinn goes! I've wanted to visit the Baltics for a long time and Estonia has been at the top of that list. Thanks again for sharing your story!
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Felix Flores Rodriguez replied:

Comment posted: 23/10/2025

Really appreciate your thoughtful comment. You’re right the quirks of that old Svema stock added to the mood at Cinevilla. The grain, inconsistency, and rough edges felt like they belonged to that setting and time. It’s a shame Svema didn’t survive, but I agree Eastern bloc films carry a unique character. I’ve got two rolls of ORWO lined up next, which I’ll load into my Nikon FM this fall to see what they deliver. I’m also planning to order six rolls of Dragonfilm two each of 100, 200, and 400 ISO to put them through their paces. Tallinn is next on my list. I’ll be there during the Christmas Market shooting a new Lithuanian stock, NoColorStudio, and I plan to document both winter and summer visits to capture the strong contrast between seasons. I’m curious to see how the city’s atmosphere pairs with film. I hope you get the chance to visit the Baltics full of history, character, and always rewarding with a camera in hand.

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Omar Tibi replied:

Comment posted: 23/10/2025

You're welcome! ORWO is lovely, if you liked shooting this I'm sure you will enjoy it too. I'm a huge fan of all their films, especially ORWO UN54 (panchro) and the new NC200 (color), what are you bringing with you? The Dragonfilm 100 and 400 ISO stocks are Russian Tasma aerial films resold by Astrum/Svema & FPP; Svema 100/Dragonfilm 1 (Tasma Type 25L) is extremely contrasty, even more so than Aviphot, but it's also very smooth which is nice, plus no IR sensitivity. If you like aerial film Tasma is a nice change from all the Aviphot respools. I've never heard of NoColorStudio, but they seem very interesting, it reminds me of Film Washi in a way. Definitely would like to try their films! If we ever end up in the Baltics I'll let you know! Hopefully sooner rather than later given everything. Looking forward to seeing your follow up work here too. Thanks again!

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Felix Flores Rodriguez replied:

Comment posted: 23/10/2025

Thank you! I’ve got ORWO UN18 from 1980 planning to shoot it at ISO 25 to give it the best chance. I’ve also been curious about NC200. For this round I bought a few NoColorStudio rolls from Vilnius. They’ve been an interesting discovery almost like a Baltic version of Film Washi. Right now I have a Washi D ISO 500 loaded in my Nikon FE2, rating it at 400. I’m waiting for a sunny day hopefully we get at least one more before the year ends. I’ll be running a full set through Cinevilla and Kinocity to see how they hold up in real settings. And yes, if you ever make it to this area, let me know. It would be great to show you around the scene.

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Indrek on 5 Frames with Expired Soviet Svema ISO 25 at Cinevilla, Tukums, Latvia

Comment posted: 23/10/2025

I have also some of those films left, but shooting expired films is not my cup of tea. But more interesting is to shoot current Svema films - 100, 200, 400. Highly recommended!
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Felix Flores Rodriguez replied:

Comment posted: 23/10/2025

Totally fair expired film isn’t for everyone. I enjoy the surprises it brings, especially in a place like Cinevilla where the imperfections fit the mood. I haven’t shot the new Svema films yet, but you’re the second person to recommend them. The friend who gave me the 45-year-old stock was glad to hear I’ll be ordering six rolls two each of 100, 200, and 400 ISO and I’ll share half with him. You’ve definitely got me curious; 100, 200, and 400 sound like a great place to start.

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