The first and last time I have shot this type of film was in 2002; the format was 8×11 (9.2mm), cut from 35mm for my Minox cameras. Not bad results, perhaps I was...
My goto film is FP4 for a variety of reasons – flexibility in exposure, contrast and tonal rendition, grain level, dries flat after development, and others. But in Japan ...
Unless there is a manufacturing problem films do not have “faults”, they have “features”. So in the review below I shall mention some of the features...
The character on the right, Hesomaru, is the mascot of Furano. The ‘face’ is drawn on his rather large belly while is head and arms are hidden under the hat. Heso me...
There are a couple of things I should preface before we get underway with my honest opinion regarding CineStill 400D, the latest colour film release by Cinestill. First off, I a...
I tried out my first ever 35mm roll of Fuji Velvia 50 (‘RVP’) in mid 1990, not very long after it became available in Australia. It totally blew my mind and I was ...
A few years ago, I was gifted a lot of film for a project I was working on which involved shooting a roll a day for two weeks and vlogging my journey. I was mailed so much that ...
Any film still in production today must have something going for it – almost a survivorship bias in effect. I don’t think there are any “bad” films, only...
