16 September, 2023
CineStill 400D – A Bittersweet Review
There are a couple of things I should preface before we get underway with my honest opinion regarding CineStill 400D, the latest colour film release by Cinestill. First off, I a...
14 September, 2023
Praktica MTL3 – Back to Film, with a Roll of Expired ‘SupaSnaps’ Film
My first SLR was a Praktica MTL3, obtained from an uncle in 1990, it wasn’t my first camera, that would have been a Kodak Disc camera when I was around 10, but it was my f...
13 September, 2023
7Artisans 35mm f/1.4 Mark II Leica L-Mount Lens Mini Review
At first glance, I loved the new 7Artisans 35mm f/1.4 Mark II manual focus lens. It is available for the L-mount, Sony, Canon, and Nikon mirrorless systems. This lens absolutely...
11 September, 2023
Leitz Thambar 9cm f/2.2 – Early Experiences
If you’re suffering from GAS like me, being aware of a rare, expensive, and sought-after lens that you know you definitely don’t want is a great thing. 6 years ago Leica re-rele...
10 September, 2023
Olympus OM – 42 years, Full Circle Back to Where I Started
Back in January 1981, I was in my final year at university, and after a Christmas holiday spent doing an incredibly boring job, I had more than the usual student grant money in ...
7 September, 2023
TTArtisan Lightmeter II Review – Gradual Improvements
Last year I reviewed the first light meter from the Chinese company TTArtisan. Even though it had some shortcomings, I kept it as a core part of my camera kit and I still consid...
4 September, 2023
Fujifilm Velvia and My Shallow and Shameless Dumping of Kodachrome
I tried out my first ever 35mm roll of Fuji Velvia 50 (‘RVP’) in mid 1990, not very long after it became available in Australia. It totally blew my mind and I was instantly hook...
3 September, 2023
The Negative Space – a Portrait of a Local Film Lab
The last decade and a half have been a rough time for people shooting film, watching Kodak in Chapter 11 Bankruptcy, the discontinuation of favorite film stocks, rising prices, ...
