We’ve been here before. For many, night photography conjures up images of big tripods, cable releases, and an external meter with a “serious” instrument like an SLR, medium form...
FomaOrtho 400 is one of those films you can’t quite predict until you scan it. I’ll admit I had my doubts — a few of the frames on this roll were ones I really wante...
This is another photo I took during the concert where I also shot the pictures for my last post, featuring the the accordion and violin duo. The featured musician is Daniele Bon...
I often see older men (and they are always men – “camera ojisan” in Japan) sporting the latest digital equipment, following in the steps of Shinzo Maeda, the camera standing on ...
The song by Joni Mitchell contains the much quoted line “you don’t know what you’ve got till it’s gone”. Every time I came back from town I passed within a couple of metres of “...
I had a day out in Machynlleth recently. I took with me an unusual camera that I have been experimenting with (to be written up in a later post) so I thought just to make sure t...
Street photography is tough. The way I see it, there are at least two approaches by which to achieve success. One requires stealth, quick reaction time, finely tuned powers of...
A film needs to be born twice before it shines. The first birth is the exposure. When a shutter is fired, a certain amount of light, bounced from physical objects, passes throug...