Latest Posts
25 February, 2020
That time I shot a Noritar 80mm f/2 medium format lens on a Pentax 35mm film camera – By Aivaras
For a long time, I was looking into 6x6 medium format cameras with a really fast standard focal length lens (around 80mm). Such lenses are rare, as far as I know there are two o...
24 February, 2020
NEWS: #FP4Party – A party to celebrate ILFORD FP4 PLUS film – By Sandeep
So you have got this far hoping to find out the venue, date and time. You want to know is it a DJ or live band playing? Whats the dress code you ask? Can you get on the guest...
24 February, 2020
The (Lack of) Value in (my) Photography (and negatives) – In the Dark Shed – with John Whitmore (VIDEO)
A few months back I visited John Whitmore (@thedarkshed on Twitter). A the time, I was in the depths of my photography funk, so decided it might be nice to try and snap myself o...
23 February, 2020
5 frames with a Voigtlander Color-Skopar 20mm f/3.5 SL Asperical for Pentax – By Aivaras
It’s already been a year and I half since I burned all the bridges and refused to own any digital camera - I now shoot exclusively on film cameras or an iPhone. I rarely miss "p...
22 February, 2020
Yashica T4 Review – Goodbye to an old friend – By Clive Williams
The Yashica T4 and I go back a long way: right back to 1993, when I bought one in Birmingham as a quick and pocketable complement to my Pentax SLR kit. I’d looked at the Olympus...
21 February, 2020
Canon Sure Shot Zoom XL Review – An Elegant Brute – By Mike Hannon
I got into film photography shooting a nifty fifty on an Olympus OM body while I was on holiday. I don’t think I even had a battery for the meter. But according to Kirk Mastin’s...
20 February, 2020
5 Frames with the Fuji GF670W from the Polynesian Islands – By Dominique Pierre-Nina
My wife and I recently had the opportunity to sail around the Polynesian Islands also known as the Society Islands. Tahiti, Moorea and Bora Bora are the most famous islands amon...
19 February, 2020
Pushing T-Max 400 to EI3200 with a Leica M3 Monochrom and First-Gen Summilux 35mm f/1.4 – Steven Bleistein
If you shoot monochrome film, you don’t have to make do with shooting at box speed if it is a higher speed that you want, and if that is the case for you, you should not hesitat...
