Latest Posts
If you read my previous post about the forthcoming Analogue Spotlight Stand at The Photography Show you will know how excited I am to have had a part in bringing more Analogue s...
18 February, 2020
Ricoh GRIII and GR1s Experience Comparison by a Film Agnostic – By Steven Bleistein
I am sure to get some grief about this piece given that my last article on the analog Ricoh GR1s ended with my resolution that I was not interested in buying a digital GR. Well,...
No worthwhile art ever escapes at least some controversy of some kind from some people at some time. Even Ansel Adams, whom no one would likely consider controversial, was no st...
17 February, 2020
Art Meets Education – Educating Underprivileged Children Through Photography – an Interview with Nico Klein-Allermann
A little while ago I was contacted on Instagram by an organisation called Art Meets Education. I’m not always the most responsive person when it comes to messages on instagram, ...
16 February, 2020
5 frames with Kodak Gold pushed to 400 – By Ivan Studynskyi
Kodak Gold 200. An icon consumer film from the ’80-’90s. It is beloved by some and hated by others. What you definitely can’t say is that shooting it left someone indifferent. I...
If you've been following my recent experimentation with Fomapan 400 you will have seen my results so far from a +2 push (EI1600), as well as from 1 stop overexposed (EI200). The...
14 February, 2020
TTArtisan 21mm f/1.5 ASPH review – by Vincent Bihler
We are currently living a very exciting period of time. The lens market has been rencently opened with third party producers that are becoming better and better, often at a very...
13 February, 2020
How I Shot A Micro-Budget Feature Film for less than £4000 with Vintage Lenses and a Sony A7s – By Brenden Singh
Why make a micro-budget feature film? Well, I had the idea since I was 14 years old. I had a lot of free time at that age, having been kicked out of Secondary School and not bei...
