Latest Posts
No worthwhile art ever escapes at least some controversy of some kind from some people at some time. Even Ansel Adams, whom no one would likely consider controversial, was no st...
17 February, 2020
Art Meets Education – Educating Underprivileged Children Through Photography – an Interview with Nico Klein-Allermann
A little while ago I was contacted on Instagram by an organisation called Art Meets Education. I’m not always the most responsive person when it comes to messages on instagram, ...
16 February, 2020
5 frames with Kodak Gold pushed to 400 – By Ivan Studynskyi
Kodak Gold 200. An icon consumer film from the ’80-’90s. It is beloved by some and hated by others. What you definitely can’t say is that shooting it left someone indifferent. I...
If you've been following my recent experimentation with Fomapan 400 you will have seen my results so far from a +2 push (EI1600), as well as from 1 stop overexposed (EI200). The...
14 February, 2020
TTArtisan 21mm f/1.5 ASPH review – by Vincent Bihler
We are currently living a very exciting period of time. The lens market has been rencently opened with third party producers that are becoming better and better, often at a very...
13 February, 2020
How I Shot A Micro-Budget Feature Film for less than £4000 with Vintage Lenses and a Sony A7s – By Brenden Singh
Why make a micro-budget feature film? Well, I had the idea since I was 14 years old. I had a lot of free time at that age, having been kicked out of Secondary School and not bei...
12 February, 2020
A Paxette Pinhole Conversion and a walk in the Countryside – By Rock
In an earlier post I suggested that the only thing left to do with my 1950s rangefinder 35mm was a pinhole conversion project, bearing in mind that most features were dead (invi...
11 February, 2020
5 frames with Pentax 110 and adox HR50 – By Victor Doroshenko
Once upon the time I were shooting my first real camera, Nikon D40, and passing by a local photo shop, had seen the diminutive Sony NEX 5. I was hooked on the mirrorless miniatu...
