20 October, 2026

Picturing Musicians Part 2

By Jeffery Luhn

As mentioned in the ‘Picturing Musicians Part 1’, photos of live performances isn’t my long suit. There’s nothing about my photos of live gigs that look any different from anyon...

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20 October, 2026

Rollei Retro 400S, Light Leaks, and Prague

By Keith A Yeo

I was hoping to share a clean set of photos from a recent trip to Prague. Instead, I am sharing a series plagued with light leaks. Yet I felt it was still worth putting out into...

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19 October, 2026

Nikon L35AF2 – A Plastic Brick

By Jake

My dad is a Nikon shooter. The first “proper” camera I ever used was his Nikon D3100 in 2011. I had no idea what I was doing and left the camera on auto. What I do remember from...

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18 October, 2026

House of Photography, Marrakech

By Julian Tanase

The narrow streets and alleys of the historic Medina make for a very intricate and, for many, very confusing geography of the place. Even if a map would exist, one would get los...

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17 October, 2026

The Technical Side of My Photography – A Reflection on Post Processing

By Alexandre Kreisman

Everyone’s tastes are different, which is great as it allows us to discover the world through the eyes of others. That magic is often rewarded, especially on 35mmc. That s...

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17 October, 2026

Godox C100 Camera and Light-Meter Review – Photography Made Transparent

By Sroyon

Roger Ebert, the late great film critic, liked to review movies based on how well they accomplished what they set out to do. As he put it, “If a director is clearly trying...

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16 October, 2026

5(ish) Frames with a Hasselblad Super Wide C

By Jeffery Luhn

I got the Hasselblad Superwide C around 1977. It was built in 1954, so it was rather old at the time. Mine was well worn, but in the 40 years I used it, it never needed servicin...

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