It was a week before Christmas back in 2006- I’d had a few pints and was in a panic to buy my wife a Christmas present- something that wasn’t perfume for once. I then remembered that her beloved Olympus OM1 – a beaten up old thing from her art college days- had stopped working, so I rushed to a camera store, and reeking of Guinness and Old Holborn, announced that I wanted to buy the best 35mm SLR they had. Despite their attempts to sell me a digital camera, I insisted on film and came away with a brand new Nikon FM3A with a second hand 28mm f2.8 Series E lens. In the end she hardly used it, and so it slowly made its way back into my hands (…YES!).
It’s a gorgeous, solidly made camera – I believe it was Nikon’s last fully manual film SLR, made to incredibly high standards and capable of shooting at 1/4000 of a second without batteries. If it wasn’t a tiny bit noisier – and a little bit bigger and a bit more imposing than my Leica M7, it would certainly be my main go-to street photography camera. there are a number of well written homages to the FM3A online, worth searching out if you fancy geeking out for a while. The camera comes in silver or black- I chose the black version because everybody knows that black cameras take better pictures.
About a year ago I bought the Nikkor 50mm f1.2 AIS lens- a heavy, all metal beast that is just awesome for portraits . I’d read great things about it online so I finally made the jump and got one off the Bay. It’s magnificent. I was using it a lot on my Nikon D750 for headshots , and decided to take it for a spin on the FM3A and went out shooting street portraits, leaving the Leica M7 on the shelf for once. I wasn’t disappointed.
I’d forgotten how easy it was to use this camera- if I’m honest with myself, I find the Nikon easier to focus with quickly than the Leica. It is a bit front-heavy with the bulky 50mm on the front- I reckon that’s nearly half a kilo of glass- but the combined weight of camera and lens is reassuring, and helps to keep it steady when shooting portraits. The shots I have presented were captured with Fuji Neopan 400 and Kodak Portra 400- two of my favourite portrait film stocks- and the results speak for themselves.
This camera has never metered incorrectly. EVER. There are lots of great Nikon cameras out there, but the unique history and build quality of the FM3A- and the fact that it is one of the newest Nikon SLR’s you can find- make it a worthwhile purchase.
If I could only have one camera and lens combination, this would be it.
I would never recommend buying a camera whilst drunk to anyone, but this one worked out for me.
Anil Mistry is a creative director and photographer.
You can find him here:
Website: http://www.anilmistryphoto.com
Instagram: @anilmistryphoto
Facebook: https://www.facebook.com/Anilmistryphotography/
15 Comments
George Appletree
January 4, 2018 at 9:50 pmHey, you must be funny.
I say that because people smile while you shoot them.
And, that’s a very good thing.
Anil Mistry
January 5, 2018 at 12:15 pmThanks George!
jojonas
January 5, 2018 at 11:25 amthe only one who would be sorry if I bought a fm3 would be my wallet. this worked out nice though! the results speak for themselves 🙂
glad to hear the camera is so easy to focus with. I’ve had problems with getting f: 1.4 lenses to focus right so I haven’t been brave enough to try 1.2
Anil Mistry
January 5, 2018 at 12:15 pmEasy to focus- but the depth of field is super thin so stillness is essential
Adam Laws
January 5, 2018 at 11:53 amGreat post and beautiful imagery Anil. The 50MM F1.2 is one of my all time favorite lenses for portraiture and you use it wonderfully.
Anil Mistry
January 5, 2018 at 12:13 pmThanks Adam- are you in the process of getting one yourself?
Neil
January 5, 2018 at 11:55 amWonderful shots. I’ve got a black fm2n and I love it, and yes so easy to focus accurately. Reading this makes me want to use that camera more.
Anil Mistry
January 5, 2018 at 12:14 pmThanks Neil. Time is alway the enemy – just carry it with you and seize those moments
jeremy north
January 6, 2018 at 3:01 pmThee’s something about shooting portraits with an SLR which is more engaging than with a rangefinder.
These are really good pictures Anil. Thank you for the interesting article
Anil Mistry
January 6, 2018 at 11:32 pmI agree Jeremy – and thank you for reading it!
Anil Mistry
April 11, 2018 at 9:35 pmThank you very much
David Hill
April 11, 2018 at 7:40 pmI might lust for the FM3a, but I’ve just acquired a Nikkormat FT2 .. with a 50/1.4 and a 1.8. Its all pre-AI, and the poor man’s way into Nikon glass. Truth to tell, my wife wanted it: She tossed the X100 back at me and said “I want my old manual SLR again”, and the way things stand today, we can do a backscale upgrade into Nikon as easy as we can get back into any manual SLR. So its hello Nikon, hello HP5.
Anil Mistry
April 11, 2018 at 9:35 pmLovely!
Karl Valentin
May 23, 2018 at 8:33 amI love the Nikkor 1,2/50 and also the older pre-ai Nikkor 1,2/55 lens.
Hard to hit the point when it comes to explain why to use this old glass
while newer constructions seem to be sharper and easier to handle
with their autofocus – there is also no need for such fast lenses in a time
the sensitivity of digital goes up to 25 600 ASA right ?
But taking pictures is not just the technical side
also emotions while taking them
and I love to focus by hand and feel the sharpness
on the subject – for this the Nikkor 1,2/50 is just perfect !
@David Hill
I really understand your wife I wouldnt trade my old Nikons too
MCF
August 26, 2018 at 12:34 pmI ditched all the Leicas in favour of a FM3A, a few months ago. I don’t regret it at all. Just purchased the 50mm f1.2 so can’t wait! I was tempted by trying out the Canon FD 55mm f1.2 on an F1 recently. I only darkroom print my shots and the lens was stunning on black and white wet prints. But I don’t shoot Canon. Hopefully this 50mm matches the Canon’s quality.
Great portraits btw, everyone looks very comfortable.