The moment I received the scans from my first roll of Harman Phoenix 200, the older version with the orange packaging, I knew something was off. Every frame was underexposed by almost a full stop.
That caught me off guard. My Nikon F3T has never failed me when it comes to metering, and I’ve always felt confident in my manual exposure skills. A quick search online confirmed it wasn’t just me. It turns out this is more like an ISO 125 film labeled as ISO 200.
What the… Seriously?
But it’s not all bad.
That underexposure, paired with the film’s punchy contrast, created an atmosphere I wasn’t expecting. It’s something strange and moody.
For this roll, I used a few lenses, tried different times of day, and photographed a mix of subjects. In the end, I found the film really shines when pointed at vivid color: bright skies, dark seas, painted signs. When something is already bold, this film just turns it up even more.



Share this post:
Comments
Geoff Chaplin on Harman Phoenix 200 (first gen) – Well Underexposed
Comment posted: 10/08/2025
Gary Smith on Harman Phoenix 200 (first gen) – Well Underexposed
Comment posted: 10/08/2025