Minolta Autocord CDS – History & Review – By Dan Cuny

By Dan Cuny

I had purchased my Minolta Autocord CDS cameras about three months ago. The previous owner didn’t know if it was working, even after giving them some tips to check. However, I took a chance and bought it. To my surprise, when it arrived, the shutter worked great, and the aperture moved as it should. A good friend told me the focus was notorious for hanging up, but It moved smoothly and focused well. The meter didn’t have a battery, so I purchased a battery for the light meter. When I installed the battery, it took some time for it to react to light. Eventually, it did and seemed close to accurate. My wife and I planned a few days away so I was excited to take it for a test drive.

A little background.

Kazuo Tashima founded Minolta in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten, which means Japanese-German Camera Shop. In 1931, the company updated its name to Minolta, which stands for Mechanism, Instruments, Optics, and Lenses by Tashima. In 1937, the company reorganized as Chiyoda Kogaku Seikō, K.K. At this time, they introduce their first Twin Lens Reflex (TLR) camera, the MinoltaFlex, based on the German Rolleiflex cameras. The MinoltaFlex was only the second TLR introduced from Japan after the Prince Flex by Neumann & Heilemann. In 1947, Minolta introduced rangefinder cameras like the Minolta-35, and in 1959, the Single Lens Reflex (SLR) SR-1 camera. In later years they sign agreements with Leica and come out with the first autofocus SLR, The Maxxum 7000.

Minolta Autocord CDS
Front view

The Camera.

The Autocord line from Minolta was their take on competing with the upper end of TLR cameras. In the 1950s, the TLR market was getting saturated with several different manufacturers. There were some features that Minolta had, which was unique. Their system had a crank wind advance with a shutter cocking mechanism, a tremendous four-element Rokkor f3.5 lens which competed with the similar Zeiss Tesar lenses, and a button on the side which allowed the winding lever to move backward, allowing the camera to cock the shutter. By doing this, it allowed the Minolta Autocord CDS to offer double exposures.

Minolta Autocord CDS
Right side

Another unique feature is the way the Minolta Autocord CDS focuses. It focuses by sliding a bar under the lens instead of a dial to focus on other TLR cameras. I like this from the standpoint of holding the camera. You slide the bar to focus, and the camera sits cupped in your hand.

The winding lever also has a hinge at the top so you can tuck away the crank handle when not using it. The camera opens from the top-down as opposed to from the bottom up. Other TLR cameras like Rolleiflex/Rolleicord cameras open bottom-up. A button you pull on the top left side opens the back of the camera.

Minolta Autocord CDS
Left side

Shooting the camera

Taking the Minolta Autocord CDS out and shooting with it was fun. I wasn’t too sure if the meter was accurate but relied on it when shooting. Let me explain how the meter works.

Minolta Autocord CDS
Battery compartment (L), Meter setting (R).

On the top left of the Minolta Autocord CDS as you’re holding it is a tunable dial. The meter setting is Off, Hi, and Low. On the side of the dial is a button to push for “battery check.” I turned the dial to “Hi” for the majority of the images during daylight. Looking down at the meter, it gives you a number. On the left of the lens is a movable arm that points to corresponding numbers from the meter. By doing so, you are shutter/aperture settings.

Minolta Autocord CDS
Exposure control

The same component also controls the shutter speeds, which you see in the window on top. A similar arm on the right side of the lens sets the aperture setting. I did have an opportunity to use the “Low” setting on the meter during a very shadowy and dark situation. It, too, seemed accurate, so I was delighted by the accuracy of the meter in this Minolta Autocord CDS.

Images from Minolta Autocord CDS.

Pacific Beach
Old Tree Roots
Rusty Truck
Lake Quinault

My Experience

I’d have to say; I enjoy shooting with the Minolta Autocord CDS over any of the Rolleiflex, Rolleicord, Mamiyaflex, or other TLR cameras I’ve had the pleasure of shooting with over my career. The camera fits nicely in my hand. The focus is smooth, and once I got used to where the focus slider was, it felt more natural. The meter was easy to use and accurate. The case fits well, and there’s even a cap for the meter area. It looks like I’ll be purchasing a strap and putting this gem in the rotation for shooting. It’s an excellent camera. Pick one up if you’re looking for a good TLR to use. To view my images and camera posts, you can go to my website here.

You can find my other reviews and articles on 35mmc here

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About The Author

By Dan Cuny
A little background on me, and my interest in anything photographic. I’ll begin to add posts on my collection, my interests, and items in my collection. I can still remember the day that my uncle gave me my first camera when I was 9 years old. It was a Univex twin lens camera and I was mesmerized looking down through the waist level finder. Everything was backward, but my brain quickly figured out left was right, and right was left. I took that camera on a vacation to Alaska shooting 620 film and still have the negatives and photos. Fast forward a few years to when I’m 16. I find myself in the front row at concerts like Traffic, Humble Pie, David Bowie, Led Zeppelin, Queen, and all the classic bands of the ’70s. My 3 friends and I went to see bands at least a couple times a month and where I first was published in Rolling Stone, Musician Magazine, Guitar Player, and other publications. In later years, we published a blog on the shows we saw and also have images on my website. I’m in the process of writing a book on my experiences and images from this time period. My passion for all things cameras and photographic started when I turned 18 and started working at the local camera store. Having worked there for almost 20 years, I sold all the classic cameras of the 1970s and ’80s like Canon AE-1, Nikon F, Minolta SRT, Pentax Spotmatic, Topcon Super D, and many large and medium format cameras. To this day, I can tell these camera cameras even from the outline they have. This is where I started to collect anything photographic, but the true passion is for cameras and lenses. I’ve had a great career in the photo industry which has lead in many different directions, from Professional Photo Lab Manager to PrePress and high-end scanner sales to repping for Sinar and Broncolor, to Leaf Digital back representative, and onto the most recent where I was the Profoto Rep for the US, West Coast for almost 15 years. During these times, I’ve had the opportunity to travel where I always found some time to seek out cameras or photo items in the town I’ve traveled to. I’ve also had the opportunity to meet and work with some fascinating photographers over my career. From Mary Ellen Mark, Jim Marshall, Dan Winters, Annie Leibovitz, and many, many others.
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Comments

Bob Janes on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 10/11/2020

"Minolta introduced rangefinder cameras like the Minolta-35, and in 1959, the Single Lens Reflex (SLR) SR-1 camera."

You are correct that the SR-1 came out in 1959, but slightly more notable was their introduction of the SR-2 the previous year - It was the SR-2 that was their first 35mm SR mount SLR.
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Bob Janes on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 10/11/2020

Very interesting review - I'd not realised how different the Autocord was in comparison to the Rolleiflex/Yashica 'standard' layouts for TLRs.
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Dennis on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 10/11/2020

I have an Autocord sans the meter. My father bought it for me in 1963 on a trip to Japan. I love the focus mechanism and especially the window on the top for the aperture and shutter speed. Mine still works and I have the original leather case. Just missing the original lens hood lost in numerous moves in the US.
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Jeremy Keller on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 10/11/2020

You might also have mentioned that this fine camera, which I have used on and off since the 1980s, has a film pressure plate to ensure that the film lies flat across the focus plane. The camera's common competitor, the Yashica 124, does not have this important feature.

Line two: I doubt that the prior owner would be offended by "him" or "her;" "them" is now common, but cringe-worthy.

Very fine photos!
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Adam Singer on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 10/11/2020

Good article, and totally agree. The Minolta Autocord is a TLR gem. That Autocord lens is amazing, can't discern the difference between it and the Rolleiflex 3.8 Tessar and IMO much better than the Yashicamat 124G .
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Peter Kornaukhov on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 11/11/2020

Fundamental review, congratulations! Am goin to get one of these and think the LMX is better for me. Anyway, the user can download the Exposure app for android easily and have a joy to use it cause the light meter not CdS is completely dead on every camera like this.
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Clive Williams on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 11/11/2020

One more thing about the numbers: if you have an external meter that reads in EV (my Autocord has no meter, so I use a Weston hand-held) then setting the shutter and aperture sliders to add up to the metered EV will give the correct exposure. So, for example, combining 6 (for f/8) with 8 (for 1/250) gives an EV of 14 - as will 5 with 9, 7 with 7 and so on.

In practice, the Weston's calculator dial does all this anyway, so I tend to use the familiar values in the speed and aperture windows, but it's a nice throwback to a time when taking pictures required more mental agility than it does today.
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Louis Sousa on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 12/11/2020

Nice review and images. The bane of many of these cameras is the autofocus lever. They are made of cast aluminum and tend to develop stress cracks leading to eventual breakage. There is a specialist in the US who services them and replaces the cast arm with a new aluminum one that works perfectly. I owned one (donated it to another photographer) and am sad that I did. The lens was superb.
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Dan Cuny replied:

Comment posted: 12/11/2020

Louis, Thank you for your comment. Do you remember the name of the person or repair facility? Regards, Dan

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Mike replied:

Comment posted: 12/11/2020

His name is Karl Bryan [email protected]. He's worked on mine a few times and does excellent work.

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Audrey on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 22/01/2021

Hi! just got my Autocord all repaired and have replaced the battery for the light meter.
When you say " it took some time for it to react to light," how long do you reckon?

Thanks for this helpful article!
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Dan Cuny replied:

Comment posted: 22/01/2021

Not that long, possibly a second or two. It wasn’t instantaneous. It’s a very fun camera and hope you enjoy shooting with it as much as I do.

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Rick Schlaud on Minolta Autocord CDS – History & Review – By Dan Cuny

Comment posted: 23/03/2022

Informative article, thank you for sharing with everyone. What battery did you put in the light meter? I need to put one in my Autocord.
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Dan Cuny replied:

Comment posted: 23/03/2022

I think it is generically PX-1. Eveready calls it EPX 1, and Varta names it V 1 PX. Have fun, it's a great camera.

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