Summicron 50/2 and Nikon Z5 – An Empirical Field Test

By Andrea Monti

A casual stroll around the Trevi Fountain gave me the chance to experiment with an unusual combination: an old Summicron 50/2 and a relatively new Nikon Z5. The opportunity materialised in a photo of one of the crowd-control team members regulating the overwhelming flow of tourists and ensuring that none of them were engaging in vandalism or pranks.

In short, I am very pleased with the results. I owned a Leica M9 (which I happily sold) for a few years , and I can’t actually say that I miss it. My only regret was that I could only use my lenses on APS-C mirrorless cameras, such as Fujis. I knew it would have been possible with the next generation of Sony’s full-frame mirrorless cameras, but I didn’t want to commit to another system just yet.

When Nikon entered the full-frame mirrorless market, I briefly considered the Z5 as a way to use my old Nikkor lenses, which I had kept after selling the more modern ones, along with the cameras, when I switched to Pentax. However, I wasn’t ready to spend thousands of euros on yet another camera that would only be used occasionally. Therefore, I ruled out the possibility until I had the opportunity to borrow the camera for a few days.

Coupled with an adapter — once again handcrafted by the masterful Adriano Lolli — the camera accepted the Summicron 50/2 flawlessly. The lack of electrical contacts in the lens and adapter did not affect focus peaking, which worked properly also when shooting in full manual or aperture priority.

The Summicron also worked flawlessly, and the results are so good that I don’t miss the Leica M9 at all. The colour rendition and sharpness at f/2 are comparable to photos taken with my old German tank. However, I can’t compare them with the latest M models so my opinions should be taken with a grain of salt.

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About The Author

By Andrea Monti
My name is Andrea Monti. I’m an Italian free-lance journalist, photographer and – in my spare time – an hi-tech lawyer. The works I am more proud of are covering live jazz, pop and rock concerts for an Italian online music magazine and Opera and prose for a 200 years-old theatre. I also do sport photography mainly in athletics and fighting disciplines. You may find out more about me on https://andrea.monti.photography
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Comments

Andrew on Summicron 50/2 and Nikon Z5 – An Empirical Field Test

Comment posted: 17/01/2026

Interesting! For my modern cameras I switched to Nikon mirrorless a while ago. I have a Z6 full frame and a Z50 crop sensor. I have to say that the Nikon full frame seems to get the most out of almost every adapted lens, and I haven’t had any disappointments yet. The crop sensor Z50 appears a little less adaptable to non-native lenses, but nonetheless you can still get good results.
The huge plus of the Nikon system is that it has the shortest mount to sensor distance of any system, so almost any lens can be adapted to fit. On my Z50, I splashed out on the Boryozola autofocus Fuji to Nikon adapter, and somewhat to my surprise, not only do the native Fuji lenses work fine on the adapter, but autofocus of Fuji lenses on the Nikon is faster and more accurate than it is on my ageing Fuji system!
The non-native lens I get the most pleasure from is my old Soviet Jupiter 8 50mm f2. It makes for a lovely portrait lens used wide open, and is respectably sharp for general purpose use when stopped down.
The other thing I will say is that using older Leica lenses on a modern digital shows that they are nothing “mythical” performance wise- that’s my experience. Of course we shouldn’t expect them to be- Leitz were limited by glass technology and computing power just the same as any other manufacturer. A modern Nikon lens on a full frame Z series camera will show the limitations of older glass, no matter how prestigious its name. But of course, the lens aberrations on older glass can be used to one’s advantage, as my old Jupiter 8 shows.
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John Bennett on Summicron 50/2 and Nikon Z5 – An Empirical Field Test

Comment posted: 17/01/2026

My Summicron 50/2 is glued (not really) to my 1956 Leica M3 DS. Another great combo.
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