Pentax MX camera with a roll of Lomography Berlin 400 film

5 Frames after a Storm with a Pentax MX and Lomography Berlin 400

By Jason Hallen

National weather forecasts declared that my corner of Minnesota would develop the conditions for powerful tornadoes on Monday, April 28. My wife and I watched as storm clouds moved in from the west that afternoon. We were anxious about how this would go. We double checked our homeowners insurance and agreed on how we would proceed if the tornado sirens sounded. She’d get the dog. I’d get the cat. We’d all head to the basement.

The storm did get intense, but the sirens never sounded. After twenty minutes the worst of it was over. After another twenty minutes we could see clear skies coming on the western horizon. Soon the clouds began to part. I stepped outside. Everywhere wet surfaces glistened with amber light. The tone of the evening had turned from foreboding to serene.

I was struck by how the clouds and light played against the buildings across the street from our house. I had a roll of Lomography Berlin 400 loaded into the Pentax MX I had just picked up at my local antique store, so I grabbed the camera and walked across the street.

These are the photos I took. All were shot with the SMC Pentax-M 50mm f/2 lens that came with the camera. It was my first roll in the MX, so I wasn’t sure how it would all turn out. I set the shutter speeds as suggested by the meter with a little overexposure here and there to give more light to shadows.

A building with an exhaust pipe sticking up. Dramatic clouds are in the background.
Have the occupants of this building raised a periscope to see if the coast is clear? It may just be an exhaust pipe.
Electrical wires and transformers on a pole. Moody sky in the background. The wires bisect the photo in many ways.
Transformers and wires survived the storm, no more disorderly than before.
A damaged satellite dish with a cloudy sky in the background.
The storm didn’t damage this satellite dish. It’s been falling apart for 30 years.
A man, sweeping the roof of his building, pauses to watch the sky to the west.
A man, sweeping the roof of his building, watches the sky to the west.
The storm heads east. The steeple of the All Saints Episcopal Church will stand another day.

I developed the film with LegacyPro L110 (an HC-110 clone). I used a 1+31 dilution for seven minutes and am happy with how it came out. My fixer must have been exhausted because there are plenty of splotches and streaks on the negatives. Some crud inside the camera also appears to have scratched the film. Oh well. I’m not chasing perfection.

I used my mirrorless camera and macro lens to scan the negatives. I then used Darktable to invert the RAW files and adjust contrast.

These shots, along with the rest on this roll of film, are special. I know a camera is just a light-sealed box to expose film in, but there’s something about this Pentax MX. I love its size, simplicity, and directness. It inspires me to amble and snap, and its meter guides me to lovely exposures. The actual heavy lifting is done not by the camera but by the lens, the film, and the developer. Of course, the actual heavy lifting is done by this world itself.

Thanks for reading. I’m on Instagram and have a website.

– Jason

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About The Author

By Jason Hallen
Jason Hallen takes photographs to see what things look like when they're photographed. He also codes video and audio. He's based out of Minnesota.
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Comments

Erik Brammer on 5 Frames after a Storm with a Pentax MX and Lomography Berlin 400

Comment posted: 17/06/2025

These images transport the anxiety before and after the storm very well, Jason. I very much like your photographs. In particular the wire and transformer mess as well as the satellite dish. I would print these and hang them on the wall.
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Jason Hallen replied:

Comment posted: 17/06/2025

Thanks for the kind feedback, Erik. I've never done the darkroom printing process but to hope to learn that soon. These photos would be first in line.

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Gary on 5 Frames after a Storm with a Pentax MX and Lomography Berlin 400

Comment posted: 17/06/2025

Is the Lomography Berlin film super grainy? I have a couple of rolls but haven't used it yet. Thanks.
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Jason Hallen replied:

Comment posted: 17/06/2025

Yes, I would say Lomography Berlin 400 is pretty grainy. I love the look of it, but sometimes the grain can be a bit much. It's been on sale on Lomography's website recently, so I stocked up. I recently shot some Lomography Potsdam 100 (which is also part of their Kino series) that has finer grain. It looked fantastic and it's even cheaper than Berlin. I hope you have a good experience with the Berlin!

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Gary Smith on 5 Frames after a Storm with a Pentax MX and Lomography Berlin 400

Comment posted: 17/06/2025

Love your subjects! Like the grain structure.

Article subject is also a great idea and well done. Thanks for sharing.
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Thomas Wolstenholme on 5 Frames after a Storm with a Pentax MX and Lomography Berlin 400

Comment posted: 17/06/2025

I like these Black & White photos. Simple. Declarative. Direct. While I'm not necessarily fond of the grain in them - I feel they might be better with far less grain but similar B&W tonal gradients - simultaneously the grain seems to be appropriate. This isn't necessarily logical, but then most art isn't really logical anyway. I enjoyed them and have looked at them several times today. Nice work.
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