Nikon F2 Eye

5 Frames with my Nikon F2 Eye

By Walter Reumkens

The great comments on my first article in 35mmc have encouraged me to follow up with another one. Anyone who has read my first article knows that I’m an old white man from Germany, an analogue and digital photographer with GAS syndrome.

As you might’ve read, my first proper camera was the Nikon FE, which was followed shortly afterwards by an FM2 as a second body. To this day, I have added several Nikon cameras and lenses. I had the F4s, still have the F3HP and an F2A Photomic. Unfortunately, a few months ago I saw an offer from Japan for an “unused” serviced Nikon F2 Eye from 1975, without an attachment, without light metering, purely mechanical, without automatic. I had bought from this dealer years ago and trusted him. Not exactly cheap, just GAS.

At the top it is shown with a Nikkor-H Auto 28mm F3.5 lens, which was produced from 1965 to 1973. The following pictures were taken with this combination. The metering was done with the Gossen Lunasix F, which I had set to ASA 200. With calotte, i.e. light metering or incident light metering, no reflex metering.

The colour film used was Kodak Ultramax 400, I was out and about at midday, the sun was high, summer. As already mentioned, the film was overexposed by one f-stop. This gives the Ultramax a somewhat pastel look, which is a matter of taste. But it shouldn’t be more than 1 stop, as the colours then turn reddish. This was my first roll with this camera.

Signpost to the Museum Abteiberg

My pictures were taken in the surroundings of the “Museum Abteiberg” in Mönchengladbach, my birthplace and home town. A medium-sized city located between Düsseldorf and the Dutch border. The museum building is one of the most architecturally beautiful museums in Europe. The architect of the building, the Austrian Professor Hans Hollein, can be seen on the left in the photo of the wall. Next to the artist Joseph Beuys, who had good connections to the art scene in Mönchengladbach even before the new building opened. He was born in the neighbouring town of Krefeld, grew up on the Lower Rhine and lived and worked in Düsseldorf for many years. If you don’t know him, I recommend Dr Google.

Museum platform Skulptur Claes Oldenburg Cast shadow Neighbouring building of the museum

In my subjective opinion, the first shots with the camera have been a success. It is a real pleasure to take pictures with this camera. Robust, reliable, you can feel the quality and understand why most photojournalists around the world were shooting with a Nikon F2 Photomic back then. After the 36 shots I took, I immediately returned the film to my minilab. It’s only 300 metres away from the museum. I hope you understand.

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About The Author

By Walter Reumkens
Born and living in Moenchengladbach (Germany), retired administrative expert and IT specialist, hobby photographer analogue + digital since 1975, no main topics.
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Comments

Leon Winnert on 5 Frames with my Nikon F2 Eye

Comment posted: 17/11/2025

Thanks for the article Walter. I have two F2A Photomics. Wonderful cameras. Purchased brand new in the arly 80s. As you say a pleasure to use. Although on a personal level I do find my recently GAS purchased FM3a a iitle easir to use. Primarliy due to the match needle in-viewfinder light meeter display.
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Leon Winnert replied:

Comment posted: 17/11/2025

Thanks for the article Walter. I have two F2A Photomics. Wonderful cameras. Purchased brand new in the arly 80s. As you say a pleasure to use. Although on a personal level I do find my recently GAS purchased FM3a a iitle easir to use. Primarliy due to the match needle in-viewfinder light meter display.

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Leon Winnert on 5 Frames with my Nikon F2 Eye

Comment posted: 17/11/2025

Forget the repeat comment. I was trying to do a spelling correction :-(
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Walter Reumkens replied:

Comment posted: 17/11/2025

That's very gratifying to hear. I can relate to your experience. Both the F2A Photomic and the FM3a are in my collection too. I hope you continue to enjoy your Nikon cameras. Thanks for your comment, Leon.

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Curtis Heikkinen on 5 Frames with my Nikon F2 Eye

Comment posted: 17/11/2025

Very nice images! I recently purchased a Nikon F from 1964 or 65. I’ve grown to love it. Your camera is a beauty and obviously produces some nice results. Thanks for posting this!
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Walter Reumkens replied:

Comment posted: 17/11/2025

In my opinion, both the Nikon F and the F2 without the Photomic attachment are beautiful cameras. They did their job well back then and still do today. Thank you for your comment, Curtis. Enjoy your new camera purchase.

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Gary Smith on 5 Frames with my Nikon F2 Eye

Comment posted: 17/11/2025

Hello again Walter! I suspect that we are all old, white men with G.A.S. I may have shared that my very first Nikon was also a (used) FE. My two most recent acquisitions were also Nikons: a D700 and a D810. It always amazes me when folks are so confident in their ability to predict film behavior that has been over or under exposed by some number of stops. Of course I started with film 50 odd years ago but only recently began shooting/developing it again. I'm still just happy to get a proper exposure. Thanks for your article!
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Walter Reumkens replied:

Comment posted: 17/11/2025

When they were young, women enjoyed spending money most. In their old age, it will probably be cameras. :-))) The FE was also my first Nikon SLR; the D700 came later and I still have it. Instead of the D810, I have a D800e. But I'd better not list them all here. I will introduce more cameras here in due course. In my first post, I mentioned that I have been having my film developed in a small hourly lab since 1989 (!). Back then with paper photos and today with a scan. Through conversations with this experienced owner and also confirmed by a renowned specialist lab in Germany, I came to this conclusion. Before exposing a film, I ask the lab what ASA value is optimally suited to the workflow for this film. Thank you for your kind comment, Gary.

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Ben Mackey replied:

Comment posted: 17/11/2025

Your 2nd shot really caught my eye. Very nice seeing how the lines tied the scene together. You are fortunate to have a local lab that is so knowledgeable about the impact of their processing workflow on different film types. They are fortunate to have had such a dedicated customer for so long.

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Walter Reumkens replied:

Comment posted: 17/11/2025

Thank you for your kind comment, Ben. I really appreciated it. I am indeed fortunate to have had a small laboratory in my town for years. I don't have to send my films by post. Unfortunately, they only develop and scan 35mm films. At my advanced age, I no longer want to develop films myself, especially not colour films. If you ask around or search the internet, you will learn that with colour films, overexposure makes the colours more pastel-like but also slightly grainier. I also expose the films to the shadows or take a light measurement with an external exposure meter. I always expose monochrome films at box speed. This is because the laboratories had to set a standard for the large number of films. That's why b/w photographers prefer to develop their films themselves, which is also a great experience. Thank you again.

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Omar Tibi on 5 Frames with my Nikon F2 Eye

Comment posted: 17/11/2025

Walter, excellent set of photos and nice story to go along with it! Happy shooting with your new F2, I wish you many fantastic shots with it. I really like the concept of shooting your neighborhood/local surroundings, there's plenty of beauty and art to be found everywhere, and for someone like me who has never been to Germany let alone your town, it's like a miniature tour, a small peek into another place. Thanks again for writing and glad that you've come to the film side of life :)
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Walter Reumkens replied:

Comment posted: 17/11/2025

Omar, thank you very much for your kind words and wishes. Whenever I am travelling in my home country, I always have my camera with me. There is so much to see.

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David Hume on 5 Frames with my Nikon F2 Eye

Comment posted: 18/11/2025

Hi Walter - I also have one of these: the F2 in black with prism finder and I bought it because I think it is the best looking 35mm SLR ever made. It's a little inconvenient not having a meter, but I think the looks and the pleasure of using it make up for that. I had a really nice F with prism finder in silver, and that's also a very handsome camera (and maybe the shutter release felt a tiny bit better) but the ergonomics of the F2 are just so far ahead. Great choice of camera! (I prefer using it to an FM/FE - preferring the bit of extra heft)
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Hamish Gill replied:

Comment posted: 18/11/2025

The black F with the prism is actually the best looking camera ever made. I will concede the ergonomics of the F2 are better, but it’s actually objective fact that the black F is better looking. Fact I tell you!

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Walter Reumkens replied:

Comment posted: 18/11/2025

Hello David, thank you for your kind comment. I really appreciated it. The F2 Eye is truly beautiful. I don't necessarily miss the light meter, as I've been using external measuring devices more and more lately. Sometimes even a Weston Master.

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David Hume replied:

Comment posted: 18/11/2025

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Walter Reumkens replied:

Comment posted: 18/11/2025

Hamish, I can't comment on that, my F-Eye is black/silver. Both are as beautiful as the F2, more beautiful than some rangefinder cameras. They are also more robust, reliable and require less maintenance. I won't even mention the great viewfinder. :-))))))

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David Hume replied:

Comment posted: 18/11/2025

There was supposed to be a smiley emoticon in that last reply, but - we need to talk. These are the things than matter.

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Leon Winnert on 5 Frames with my Nikon F2 Eye

Comment posted: 18/11/2025

The F, ahh! The first decent camera I owned was an F Photomic bought in the mid 60s in a far off land – duty free. Lovely camera. Sold it a few years later - needed some money :-(. As the years went by I increasingly regrated selling it. Until GAS finally kicked in and I acquired a very tidy used F Photomic a couple of years ago.

Comapring its handling to the F2 the F seems slightly clunky. F2 is much more refined. Recently, I was fortunate enough to handle an S series rangfinder. Comparing the physical appearance of the S vs the F; straight away you can see the that the F is very much an undisguised development of the S.
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Walter Reumkens replied:

Comment posted: 18/11/2025

Leon, I can understand that, even though I only own the F-Eye. But I wouldn't want to be without either of them. I don't own a Nikon-S, but I've read a lot about it. So far, I haven't been able to decide which model to buy. And that's fine. :-)

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Timothy Hancock on 5 Frames with my Nikon F2 Eye

Comment posted: 18/11/2025

I’d love to get an eye level prism for my F2A but I am always put off by the price and the fact you can buy a good Nikkormat FT for the same price - so I did - FT3. It’s a great camera bug hasn’t cured the itch for the DE-1. Some of the ones on flea bay look too new for my slightly brassed F2, and others look very tatty. The pondering continues !
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Walter Reumkens replied:

Comment posted: 18/11/2025

Timothy, there's only one thing that will help: buy an F2 Eye. Everything fits together perfectly. I know it will be expensive. :-))) As befits a Nikonian and someone afflicted with GAS, I also have an FT3. You're right, it's a great camera. Thank you for your kind comment.

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robert mckeen on 5 Frames with my Nikon F2 Eye

Comment posted: 18/11/2025

Hi Walter, great set of pictures just like the camera ,everything you need and nothing else. I have never owned a Nikon F2 or that matter any Nikon camera, it's almost brutal in its looks as a Minolta user it reminds me of the early Minolta SR range, look forward to more images from this camera well done.
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Walter Reumkens replied:

Comment posted: 18/11/2025

I'm glad you like it, Robert. It's a beautiful, robust and handy camera. Of course, it's purely mechanical and, with its prism viewfinder, it has no exposure meter. That's not a problem for me, as I'm used to working with an external light meter. The F2 can be compared to the Minolta SR series; this Nikon is slightly more delicate than the SR-T 303B, which I also own and greatly appreciate. It doesn't necessarily have to be a specific brand. The Nikon F2 is probably a legend, used by many professional photographers at the time, and from the F onwards, it often replaced the Leica M. But it doesn't always have to be a specific brand. I have many cameras of different brands, they all work, have advantages and disadvantages, and their specific areas of application. But it is always the photographer who takes the photo. In addition to the ST-T 303B, I also own a Minolta X500 and various Rokkor lenses, and I wouldn't want to be without them. Thank you for your comment, Robert.

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David Pauley on 5 Frames with my Nikon F2 Eye

Comment posted: 19/11/2025

Great article and lovely photos, Walter! I don't know much about Nikon cameras or about your particular corner of Germany, but your fine writing and photography have sparked my interest in both. Well done.
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Walter Reumkens replied:

Comment posted: 19/11/2025

Thank you for your kind comment. I was very pleased to receive it. Many professional photographers sold their rangefinders in favour of the Nikon F and its successor, the F2, in order to enjoy the advantages of an SLR camera in their demanding daily work as photojournalists. My first camera in the late 1970s was a Nikon FE. This sparked my interest in the brand early on, and after I retired, I treated myself to an F and an F2. Especially since all my old manual lenses are compatible with them. For me, it was Nikon at the time, but it could just as easily have been Canon, Pentax or Minolta. I live in western Germany near Aachen, Cologne and Düsseldorf, close to the Dutch border. It's mostly flat land. There are large cities, but also a lot of countryside and agriculture. Thank you again, David.

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