5 frames from an obsolete camera, the Olympus i-10

By John Andrews

A log time ago in a far off century, 1996 to be precise, a collective consortium got together led by Kodak, Canon, Minolta, and Nikon to launch a new film format, this format became known as APS (Advanced Photo system).

Comparison with a standard 35mm cassette

Their idea was to make picture taking a much easier process, using self loading cartridges, offering three different film ratios, of 3.2, 16.9 and a P or a panoramic ratio. At the time it seemed a good idea for people wanting a start in film photography, where the process gave the photographer, a simple small and pocket able camera, and several different models soon became available. Unfortunately, very much like the 110 format, it had a very short life, and was discontinued in 2011.

In the image below one can see the size in comparison to my Nikon F3 ,and the APS film in comparison to a standard 35mm cassette.

The 1-10 in comparison with my Nikon F3

Anyway, back to the future now, and to a trip to Oswestry, where I often visit. The discovery of a small camera shop called Abbey photographic attracted me to go inside. Gareth who runs the shop has a large collection of second hand classic cameras of his own and also buys and sells film cameras too. He also often has outdated film, and was kind enough at no charge, to deposit me with a roll of Fuji APS film. it was then I remembered back home in my film camera collection, I had an APS camera, one Olympus i-10.

 

Where the film slides in the base JPEG_PICTURE

The i-10 has a fixed focus lens of 24mm, composed of three elements in three groups, and an electronic shutter ranging from 1/50 of a second to 1/200, and also dates the film too. Back home I loaded the camera and took it out for a walk to see what it was capable of.

Once the film was finished I dropped it off to Max Speilman, for develop only and a CD, which I normally do with colour film. Then it goes gets viewed and adjusted in my ancient Windows 7 laptop using Photoshop 6, suprisingly it didn’t need a lot doing to it, just a slight adjustment on the curves.

The images were a lot better than I expected, but did I like it and would I use again? Small and very pocketable, with an extremely small viewing window, I use glasses all the time, so I think not.

I

I still have another APS roll still to use, but it can go back on the shelf again with the camera. I have much better cameras and projects in the pipeline, but for a couple of quid from a charity shop, I can’t really complain.

 

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About The Author

By John Andrews
A retired professional photographer and qualified lecturer, but over the past 10 years been running my own business, as the Vintage bike stable, restoring classic road and MTB cycles. The business has now ceased, due to rising costs, so now very much back into photography, mainly film, but digital too. Also an avid collector of film cameras, with far to many.
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Comments

Walter Reumkens on 5 frames from an obsolete camera, the Olympus i-10

Comment posted: 22/11/2025

Great photos, John, you can clearly see the professional photographer in you. This excellent article reminded me of the two APS-C cameras in my collection, a Contax Tix and a Fujifilm Tiara. Like many of these cameras with their numerous functions, they represent the industry's last stand against digital technology. As you write, the race was considered lost in 2011.

I still have a few rolls of APS-C film in the fridge. The expiry date on all of them has long since passed. My Agfa and Fujifilm films are current emulations from that era, they were very good and at least my cameras are also of very good quality.
It's time I used them again. Thank you very much for your article and the great photos.
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Tony Warren on 5 frames from an obsolete camera, the Olympus i-10

Comment posted: 22/11/2025

This seems like Agfa's Rapid but with lots of bells on. The system covered just about every angle imaginable and in the more advanced cameras built for it must have been very easy to use. The results aren't bad from outdated film, but not as old as some these days. Presumably there is no exposure over-ride, just leave it all too the camera. Very interesting post.
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