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5 Frames with a Zeiss Ikon Contessa – by Thomas Bell

My name is Thomas Bell. I’m a hobbyist photographer based in Atlanta, Georgia. I come from a film crew background, so Im used to the mechanics of photography, but until I picked up analog still cameras I had only shot true celluloid film a handful of times. I picked up the film habit just under a year ago, when I was presented with my late Grandfather’s pristine Zeiss Ikon Contessa (2nd Version). This camera probably hadn’t seen the light of day in 30 years, but I cleaned off the lens, popped in some expired Ultramax 400, and one week later I was one roll into a healthy celluloid addiction. 

The Zeiss is a really solid camera. It just feels well made. Im just lucky this one is still in good condition. The Zeiss Tessar 45mm f/2.8 is relatively sharp, especially when you stop it down. It’s a little difficult to get exact focus and tack-sharp while wide open. The lens folds out with a nice, firm click and holds steady, while the gear-like focus  feels smooth and quick. One of the real surprises is that the meter still works. I exposed the first few rolls using nothing but the meter and they all came out wonderfully.

The (few) Grievances: I wish the viewfinder was a little bigger, the shutter speed dial doesn’t fully reach the 1/500th mark, and the film loads backwards, meaning that your scans come back upside down from the lab.

Its a fun, solid, no-frills rangefinder, and I’m a lucky man.
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8 Comments

  • Reply
    Terry B
    May 24, 2018 at 4:32 pm

    Lovely camera, Thomas.
    Your comment about the 1/500 second setting set me thinking. I don’t have this model, but on some of the early compur shutters with 1/500 you will find that you have to push harder to set it, there is a noticeable resistance to be overcome. Also, you may find the 1/500 speed probably needs to be set before you cock the shutter. Hope this helps.

    • Reply
      Thomas Bell
      May 25, 2018 at 1:49 pm

      You’re totally right about the resistance, though Im terrified I might break it if I try. It is a 60 year old camera after all!

  • Reply
    Martin south of France
    May 24, 2018 at 5:29 pm

    Stunning photos. I had one of these fine fine cameras but sold it during hard times……how I wished I still had it!! Great write up and thanks, many thanks!!

  • Reply
    davhill
    May 24, 2018 at 5:46 pm

    Dude. Your Improbability Drive is exceeding 42. “True celluloid” (the highly flammable nitrocellulose film base) went out of use in the early 1950’s, and you’re most likely shooting a cellulose acetate film. It’s Film, nevertheless, and you do it proud. Those old Zeiss Ikons are beauties, solid little gems of German engineering, and the Tessar shows no lack for its 50++ years. Lucky man, indeed.

    • Reply
      Thomas Bell
      May 25, 2018 at 1:57 pm

      One cannot exceed the Answer, only find a different way of asking. DEEP.
      I think that might be the nicest internet correction I’ve ever received! You’re right, we currently shoot on cellulose acetate. The term ‘celluloid” became sort of a catch-all nickname for motion picture and still film, or at least in the circles I ran in. Thanks for the kind words about the Zeiss!

  • Reply
    Kathleen Johnson
    May 24, 2018 at 5:46 pm

    Welcome to the 35 mm Film world……..Looks like a fun camera. I inherited my Grandfather’s Argus Brick. Similar complaint about the view finder and focusing. But somehow our ancestors coped.

    • Reply
      Thomas Bell
      May 25, 2018 at 1:59 pm

      Indeed they did. The world is a better place because of their terrible burden.

  • Dan Castelli
    Reply
    Dan Castelli
    May 25, 2018 at 2:49 am

    What a beautiful piece of optical & mechanical engineering. It just must be so such fun shooting with the camera. I would imagine it’s a ‘people magnet’ and you’ve met some interesting people while out shooting.

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