The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton

By John Pemberton

I got out of the car and the sun was shining.  Of course it was.  I had spent the previous 5 hours hiking the trails under a thick veil of clouds that smothered any source of contrast to be found in the vast desert landscape where I had spent the day.  It also extinguished any bit of glimmer or sparkle to be found in the jeweled logs I had traveled so far to photograph again.  Those same clouds were now bubbling up into spectacular desert thunderstorms.  You know, the ones that create captivating black sheets of rain that evaporate before hitting the ground.  They were heading east into New Mexico.  Fast.

I was standing in a parking area for the Painted Desert Inn, which is located within the Petrified Forest National Park, found in the northeast corner of Arizona.  Frustrated.  The day had not gone well.  You might have heard about that already.

I had stood in the same place 10 years earlier, on the other side of changing fortunes with the light.  During that last visit the light had been spectacular all day long, low in the sky on a bright fall day.  I had plenty to show for my trailwalks through the petrified logs the park was created to protect.  But on that day we had arrived to the Inn too late to capture much.  The shade enveloped the desert vista that unfolded behind the inn.  The log ceiling joists protruding from the adobe wall of the inn were casting shadows that overlapped each other, pointing due east on the walls, and about to inch north.  “Next Time” I thought at the time.

The next time was now.  This time it was late March, not October.  The days were longer and the light on the Inn was spectacular.  The light at this moment saved the day.

Strong Desert Light

The Painted Desert Inn was constructed by the CCC in the late 1930’s, a part of Roosevelt’s new deal, an economic plan to lift America out of the great depression.  Pueblo Revival in architectural design, the Inn operated for around 35 years.  Based on location, atop a seam of unstable clay, the Inn is difficult to maintain structurally.  In the mid 60’s the functions of the Inn, by then mostly a welcome center, were moved to the south end of the park and to a newly built, modern visitor center.  After sitting empty for several years, outlasting calls to demolish it, during the 90’s it was refurbished as a museum with a café for visitors.  It remains that today.

Timbers on a Shaky Ground

As I sized up the scene, I knew I wanted to capture the subject with film.  The desert spoke to a timeless black and white vision.  The echoes of Paul Strand could be heard upon the wind.  I had several options in the bag with the Petri 2.8.  Pan F, Berlin 100, and if I wanted to get really experimental, Babylon 13.  I went with Delta 100 and used a yellow filter.  I wanted the long shadows of the joists cascading down the side of the adobe to go black when I was done.  The high contrast of Delta 100 would be perfect.  It was also a film I was very comfortable working with.  It might be a while before I ever got back again.  I wanted to make sure I had images to show for the visit.

Bold Contrast from Delta 100

The Inn faces south-southwest.  Starting on the western side, I slowly and meticulously circled the building which was still aglow in the early evening sun.  I wanted to use a single roll here.  I could squeeze 26 frames out of the 24 exposure roll.

A Timeless View of The Painted Desert

At first, I took an image that captured the entire western façade.  I then got in closer, paying attention to the log joists and framing elements.  Around back, to the north, I made images from the back patio of the scenic basin that early guests once took in with awe and amazement.  The eastern face was shaded, there wasn’t much to accomplish there.  On the south facing wall, three joists cast long dramatic shadows.  In my mind and for my taste, that was the image of the day.

Stark and Simple

As the sun set, driving east, we chased the tails of the thunderstorms into the dusk and towards our base camp in Gallup, New Mexico.   For all the drama, it had been a productive day.

You can find me on my Site, Twitter and 500px

 

Share this post:

Find more similar content on 35mmc

Use the tags below to search for more posts on related topics:

Contribute to 35mmc for an ad-free experience.

There are two ways to contribute to 35mmc and experience it without the adverts:

Paid Subscription – £2.99 per month and you’ll never see an advert again! (Free 3-day trial).

Subscribe here.

Content contributor – become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.

Sign up here.

About The Author

By John Pemberton
John Pemberton is a retired Marketing Scientist who’s vocation is now teaching Statistics, Economics and Marketing Research as a university lecturer. He is also a photographer. He has been fascinated by the power of cameras since the age of 10. Aside from a semester of photography as a junior in high school, he is self taught. His fascination began with a Kodak Instamatic. Technical skills developed and honed using a manual Petri 2.8 rangefinder. The fascination was rediscovered in the digital age with an Olympus PEN E-PL1. He currently shoots digitally with an Olympus M1, PEN - F and on film with an Olympus OM-2n, 35rc and a Petri 2.8.
View Profile

Comments

MARTIN MISIAK on The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton

Comment posted: 11/01/2023

I've never seen such great results from a Petri. Film and photographer make all the difference! Great shots.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

John Pemberton replied:

Comment posted: 11/01/2023

Thank You, Great subject matter plays a role as well!

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Gary on The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton

Comment posted: 28/02/2022

I seem to remember a bumpy glass light metering lens. Is that accurate? If you would be so kind, please show a photo of the camera.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

John Pemberton replied:

Comment posted: 28/02/2022

There may have been a light meter, but it did not come with the kit I received from my uncle. It contained the camera, WA and Tele auxiliary lenses, a hood and an off brand flash unit. I don't know if I am allowed to edit the post once the editor has published it, but there is an image of the camera as a header on my first post on this site.

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Gary on The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton

Comment posted: 27/02/2022

I had a Petri once. I think it was my first camera. Haven't heard the name in many decades. I'm surprised it still works. Nice shots.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

John Pemberton replied:

Comment posted: 27/02/2022

Thank You, Yeah they sort of faded from view as SLRs with light meters started to dominate the market. I have a second that doesn't work, but my plan is to salvage parts from it if need be.

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

AZD on The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton

Comment posted: 26/02/2022

These are excellent! A great example of what can be done with simple equipment, good technique, and the right subject. Very nice work! In the past half year I have learned to really like what Delta 100 does in dramatic light. Even in 35mm it retains fine detail and a broad range of tones.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

John Pemberton replied:

Comment posted: 26/02/2022

Thank You, Delta 100 really is my favorite film right now.

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Stewart Waller on The American Southwest – 3 Days, 3 Rolls of Film Part 1 – The Painted Desert Inn – By John Pemberton

Comment posted: 26/02/2022

Way to save the day! These are great. And thank you for the inspiration, because I just received a Petri 1.9 Super in like new condition, and now I can't wait to give it a try.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

John Pemberton replied:

Comment posted: 26/02/2022

Thank You Stewart. The 2.8 was my late uncle's camera. The one he bought while stationed in Japan in 1960. I sort of wish he had purchased the 1.9 but I wouldn't trade this one for anything.

Reply

Leave a Reply

Your email address will not be published. Required fields are marked *

Leave a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *