Kodak Autographic Brownie 2A with 120 film ​- By Lori Brooks

Searching for a hobby, I re-discovered photography.  I’ve always loved to ‘take pictures’ and remember becoming so obsessed with my grandfathers old Agfa Isolette that he left it to me when he passed. I obviously still have it and I guess I should put a roll of film through it now that I managed to un-stick the focus that had frozen up after being left in storage for a few decades. Perhaps a post for another time?

As seems to happen with many people who do the same, I started to acquire lots of random cameras, gear and experimenting with different film formats and film. I also recently ‘graduated’ to starting to develop at home. Once the parentals found out I was into cameras – and after showing them a couple of antique ones I’d picked up mostly for display – they bought me an antique Autographic 2a camera.

Autographic? I guess if you read the history of Kodak, you will see that over the years, they introduced several film formats that came and went. Autographic film was one of these, being discontinued in 1932. The idea behind it was that there is a small strip of carbon paper that allows light from behind the film to etch itself onto the negative. You open a small door on the back of the camera and scrawl with an iron stylus any information you want to record about the image you’ve just taken, expose it to light for a few seconds and close the door. Think of it as metadata before metadata was even a thing! It sounds really cool, and I wonder if there would be a way to ever replicate this process again through some film hacking with strips of carbon paper…?

A lot of these old camera’s can be found out there, I think most of them are sold as display pieces, because who would actually be crazy enough to go out there and still use one (ahem!) Of course there are a few barriers to overcome before you can go out there and snap away, and some considerations to be made when actually using the camera.

The first of these is the film. Obviously Autographic film is long gone, and so is its non-autographic cousin standard 116 film. The closest film we have today is 120 film, which is not quite as wide as 116 film, which was a whopping 70mm wide. I picked up a 3d printed adapter that allowed me to use 120 film rolls in my camera, but I ran into a problem that might be unique to the Autographic. The key on the mechanism that winds the film goes quite some distance into the film spools, and using the adapter, I found that it was not fully engaging and that I got a lot of slipping when trying to wind the film on.

My solution to this has been to use the empty spool that, luckily, was still inside the camera. I just make some spacers out of a champagne bottle cork to allow the 120 fim to wind onto the wider 116 spool straight. (Ahhh Champagne… is there nothing it cannot do…)

The second problem was figuring out the spacing of the negatives on a 120 film. This was done by running old backing paper through the camera and making a note of where the numbers are when enough film has passed across the film plane so as to not blur the images together. I also needed to mask off the inside and outside of the red window frame counter window due to differences in film width. Unfortunately, this did not prevent a little bit of light leakage during use (see pictures below). I am going to have to design a sliding window that I can 3d-print and stick to the back of the camera so I can seal the window when not advancing film.

With all that done I was ready to go out there and see what kind of images a hundred year old camera can take. But before I did, I was somewhat dismayed that my particular camera had light leaks aplenty on the bellows. Was all my tinkering for nothing? In hindsight, I probably should have checked the bellow’s first.

I was just about resigned to put my gift with all my other display camera’s until I read that it’s possible to repair light leaks with latex paint. So over the next few weeks, I set about lightly painting the holes over and leaving the paint to completely cure. it took a few coats, but I was able to seal up the camera nice and light tight.

So forward to New Years Day 2019 – this was the big day. I was going to take this newly refurbished and modified camera out to take some pictures. It got me wondering about the history of my camera, and what it’s seen and when was the last time somebody used it.

Due to the whopping size of negatives this camera produces – they’re a massive 6x12cm – I only get 6 full shots per roll of 120 film, so I have to make every shot count! Lastly, before I squeezed the cable release for the first time, I needed to adjust my exposure and film type to compensate for the shutter on this camera – a very speedy 1/50 of a second!

In keeping with the vintage theme of my shoot, I metered everything with an old Gossen Super Pilot light meter and found that using the f/22 aperture would be a 1/60 exposure – close enough!

Here are four of the six pictures I took using Lomography 100 color film. I’ve had to crop a couple of them because I did not get the spacing perfect when winding on, and there was a little bit of light leakage, probably from the still exposed framing window and I had to do a little tweaking of my exposure setting slightly in Lightroom but all in all I’ve been really pleased with how these came out for my first try with this camera.

One of the two windmills at the ocean end of Golden Gate Park
This pictures gives you an idea of how much is captured on a single 6×12 shot

My instagram – fashionistalori

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16 thoughts on “Kodak Autographic Brownie 2A with 120 film ​- By Lori Brooks”

  1. I am glad that you were able to use the camera your parents purchased for you! I too have a couple of oldies, and have, on occasion, had the desire to see if I could rig something up like you did to capture some special moments. Thanks to your efforts, I am one step closer to possibly making it happen. It is too bad that a film company does not sept up to the plate and manufacture film formats of the old days! So many old ‘display’ cameras would have a second chance!

  2. Nice shots with the Autographic

    I have a similar camera. The film size is kind of a hassle but on low speed 120 like Efke, the images are beautifully old looking — far from anything out of a CMOS sensor.

    If you like simple cameras like this, I recommend a Leica 1 a or c (standard). 35mm film, mo batteries, no rangefinder


  3. Hi Lori! This is astonishing. Your are brave, methodical, and a true photographer. I am a fellow bellows fan, but without your adventuresome streak. My camera is a 1950s Zeiss Ikonta, which uses 120 film and produces negatives that easily enlarge to 11 x 14 inches. I recommend it if you get too enmeshed in the demands of the Autographic.

  4. Thank you all so much for the kind words. It was kind of funny taking those shots on Baker Beach. all the other photographers out there were either using their phones, or DSLRs, and here I was with this ancient camera perched on a tripod with a cable release!!

    Just this last weekend picked up a vest pocket Kodak at a camera fair for the incredible sum of $20 that is basically this camera’s younger and smaller sibling. The shutter was not working, but I’ve managed to repair that and the camera is now working as good as new. I’ll see if I can get out there and take some shots with that one as well. It takes 127 film, so I’m going to either cut down 120 film, or just respool some 35mm into backing paper. Fun times!

    1. There are still a limited number of 127 films available, thought I’d definitely say that you should avoid ReraChrome, but the ReraPan ones are OK.

      What paint did you use? I tried “liquid electrical tape” on a VPK and I think it’s now worse that it was before — I got one very leaky shot for 127 day and the rest I couldn’t find the horizon!
      Also I wonder if you have a dud set of adapters as the 118-120 set I have wind on fine for an autographic #3 (or 3a — I’d have to get it out to check).

      1. Hey James, this is the paint that I used. Liquitex BASICS Acrylic Paint 8.45-oz tube, Mars Black (4385276). I applied it very sparingly and in thin coats, leaving it several days between coats to dry.

        I don’t think my adapters are dud, but it seems that the winder on the brownie goes quite far into the hollow middle of the original roll, it can’t go as deep on the adapter to engage properly. Even if I drill out the adapter, it looks like the key will get blocked by the top of the 120 spool anyway.

        I’ve just run a little bit to Fuji HR20 microfilm through the Vest Pocket Kodak. Focus is not the best. I need to figure that out, but with a little more experimentation, I think I can get some good results using this unperforated film on old 127 spools and backing paper.

  5. A fantastic read and great work getting this beauty up and running! I’ve grown up with computers and other electronics but have a real admiration for how mechanical devices can keep on going forever in the right hands.

  6. I have my parents camera on the shelf. Thank you for the information on the purpose of the little trap door. Our copy is non-functional due to the condition of the lens, but it’s still a connection to the beginning of a long tradition of photography in our family.

  7. Hi Lori, I have the exact same camera given to me nearly sixty years ago. Yours is the first timeI have ever seen someone post the project they have engaged in with the old Brownie. I made up some new bellows and adapters for the 120 film and was wondering if you would be interested in seeing some of the process I went through. I have taken one roll of film but had the same issues with light getting in so I decided to do a rebuild.
    My Name is Bariss Bull, an old fella, 77, living in Tauranga, New Zealand just to set your mind at rest.

  8. Hi Lori, I think my last email or should I say my first went missing so will try again…..my camera was made in Canada and has a patent date of 1912/13 and I would like to add a suggestion or two. A man in Italy sent me the instructions for counting the film and as far as I can tell it works perfectly each time. After putting the film in the camera and the camera still open, start winding the film until you see the big horizontal arrow showing on the winder end…..then close your camera. Turn the film advance knob 8 full turns, at which point the film will be at the correct point for the no1 photo. After the photo is taken advance the film by 2.5 full turns each time to take the next photo all through to six photos. The only thing to take care of is keeping the spools in either end whilst you have the camera open! Have you ever struck a problem with the exposed film winding on a little loosely? I did and found that there is a bi-metal spring strip behind the spool at the winder end of the camera. The strip seems to lose its tension over the years….but I found that by gently bending the strip towards you it is possible to re-tension it and then the film is held firmly, so extraction is easier. My camera was made in Canada and has a different lens set-up to yours. If I can make it work I will send you a photo of the lens. How do I attach a picture????

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