Robert Frank’s View in Butte, Montana – One Shot Story

By John Bennett

When my wife, Darby, and I mapped out our recent road trip through the American West, it was not our intention to follow the same route that Robert Frank took in the mid-1950s when he was shooting the photographs that became The Americans. I did bring his book with us, though, both as a reference and as a talisman.

When we checked into the Hotel Finlen in Butte, Montana, I knew that Robert had stayed in town, but only after consulting with Sandra, the manager, did I confirm that we were, in fact, in the same hostelry where he took the moody photo from his window.

Sandra kindly offered to show us his room. Equipped with my Leica M3, Summicron 50mm f2 lens, and a roll of Ilford HP5+, we rode the elevator to the 9th floor.

Butte is a different place than it was when Robert Frank passed through in May of 1956, but it is, with its large inventory of historical buildings, instantly recognizable. These days, its long history of mining and labor disputes are more of a tourist attraction than a growing industry.

And while much of the country is forever changed since that time, there’s no doubt about the outsized influence that his book — and its 83 images — has had on successive generations of photographers. And photography.

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About The Author

By John Bennett
I live in Portland, Oregon, where we are fortunate to have a number of great camera stores and a thriving darkroom scene.
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Comments

thorsten on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 18/08/2025

Very cool, John and Darby! That third roof looks almost untouched by time…
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John Bennett replied:

Comment posted: 18/08/2025

Thank you, Thorsten!

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thorsten replied:

Comment posted: 18/08/2025

Amazing that there are still the same chimneys after 70 years ;)) And your reflection is cool.

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Gordon Ownby on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 18/08/2025

Wonderful. Because so many buildings are now gone, the town in your photo looks older than the original. The only "tell" that I can discern are the A/C units in buildings 1 & 2.
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John Bennett replied:

Comment posted: 18/08/2025

Good eye! Thank you!

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Gary Smith on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 18/08/2025

Oddly enough, after reading your article this morning I went to my library to drop off a book. They had a display of photobooks in the middle of the room and right before my eyes was THE AMERICANS. I hesitate to say that I'm not at all familiar with Frank's work but thanks to you John, he is now part of my understanding about photography in the years following my birth.
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John Bennett replied:

Comment posted: 18/08/2025

Great! Robert Frank was amazing. He changed everything with The Americans. Along with Walker Evans, Garry Winogrand, Inge Morath, Lee Friedlander, and Henri Cartier-Bresson, I feel like I have a lifetime of study ahead of (and behind) me.

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Gary Smith replied:

Comment posted: 18/08/2025

I also grabbed a photobook of Walker Evans' work but I was familiar with him.

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John Bennett replied:

Comment posted: 18/08/2025

Robert Frank said that Walker Evans was the photographer who most influenced him.

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Graham Line on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 19/08/2025

An excellent photo and reporting, Mr. Bennett. I'm not particularly a fan of Robert Frank but there are lessons to be learned from him.
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John Bennett replied:

Comment posted: 19/08/2025

Thank you, Graham. Much appreciated!

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Keith Drysdale on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 19/08/2025

It is a wonderful feeling to stand where well-respected feet have stood. A few years ago I tried to replicate a Kodak Brownie photo my mother had taken of my father, on their honeymoon in 1949. I was very happy to be able to do it, but trying to match the focal length/angle of view was just about impossible. I love that you have done this shot.
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John Bennett replied:

Comment posted: 19/08/2025

Thank you, Keith! Yes, it was cool to be in the exact same spot. Great story about replicating your mother’s 1949 photo of your father. For me, just doing it is more important than getting the details exactly right.

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Dogman on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 19/08/2025

The ghostly reflection with the Leica rangefinder recalls Frank's presence. It's remarkable not much has changed over the decades but I'm glad to see a place where progress hasn't cast its greedy shadow.

I love Frank's work but it took me years to really appreciate him. Too much time invested in "the rules" had me blind to how rules don't really apply to craftsmen, artists and geniuses. Frank set his own highly flexible rules. We now follow his lead whether we know it or not. He touched everything photographic since the publication of "The Americans".

Thank you, John, for the wonderful photo and remembrance.
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John Bennett replied:

Comment posted: 19/08/2025

Thank you! And well said about Robert, “rules,” and The Americans. I agree completely!

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Stephen Hanka on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 20/08/2025

After seeing this I bought a copy of The Americans. It is engrossing, especially the images from the Detroit of my early childhood.

Thanks for posting this great image. I was unaware of Robert Frank until I saw it. My horizons are now wider
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John Bennett replied:

Comment posted: 20/08/2025

Stephen, that’s fantastic. If you wish to explore further, I highly recommend "Looking In: Robert Frank's The Americans: Expanded Edition.” Used copies can be had for around $70. Be sure to get the hardback, which collects Robert’s contact sheets for the project. (The paperback, which actually costs more, doesn’t include them.)

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Tony Warren on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 21/08/2025

Thank you for making me aware of this work. It is an enlightening article for me. The only image of Frank’s that has lodged in my memory is the bandsman obscured by his instrument standing below an election rally decoration. Your article made me hunt out the book, a 1993 hard back, from the local library’s stacks. Lacking the contact sheets, which would have been fascinating, it nevertheless gives a feel of what the US must have been like in those days.

Given what followed in the next few decades, it sets the scene in rather sad, in some cases, dour terms. I was also struck by the lack of interaction between Frank and his subjects. He mostly seems to be on the outside looking in and the people he photographs that are actually aware of his camera are either only mildly interested, suspicious or looking quite threatening, in the case of the New York biker. This must have been the reaction of a European of the day exposed to life at the time in the US.

I make these comments with the benefit of hindsight. Had I seen the book in 1959, my second year at university, I am not sure what my reaction would have been. Probably surprise at the obvious social divisions but more accepting, possibly through being used to the similar order imposed between the wealthy and the rest of us throughout history.

I think the main message the book leaves me with is how important photographers like Hine, FSA, Smith and the rest are in recording times as they were. Hopefully, eventually, the message may sink in.
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John Bennett replied:

Comment posted: 21/08/2025

Thank you, Tony, for your thought-provoking comments. There seem to be two approaches when it comes to photographing people: just doing it, and asking the would-be subject if you can take their photo. While both ways render good work, I’m of the mind that the first method generally renders better results. If you want to see the contact sheets, seek out Looking In: Robert Frank's The Americans: Expanded Edition. The hardback includes the contact sheets; the paperback does not. Perhaps your librarian can get it for you through an inter-library loan.

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Tony Warren replied:

Comment posted: 21/08/2025

I agree with you re the approach. I have never had bad reactions to my camera but I think the mood of the time is a factor and the mood in 1958/9 was a little less relaxed. I will check with the library, thanks for the suggestion.

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Samiran Mandal on Robert Frank’s View in Butte, Montana – One Shot Story

Comment posted: 04/09/2025

Nice story
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