Ten (Temperate) Botanical Frames in Colour - Feature Image

Ten (Temperate) Botanical Frames in Colour

By Simon Foale

Back in March 2024 I posted a piece about how great plants can look when photographed in black and white. Now this is despite the fact that I don’t embrace any particular ideology about black and white film, and most of my photography, including BD (Before Digital) has been in colour. So of course, the counter-argument to the one I made in that piece was already percolating through my brain even as I wrote it, and I’ve been circling around the idea ever since. Obviously, plants are a magnificent photographic subject in colour! Flowers are fundamentally about colour. Yes I know some photographers have made superlative images of lillies and magnolias in black and white, but yeah, doing that with all of them is kind of missing the point, IHMO. So… I actually have two stories on this theme. Today’s is ‘one I prepared earlier’ (i.e. from my BD archive) and the second will be from more recent, tropical material.

The images I’m presenting today were made in the early 2000s at an amazing event called Floriade, in the city many Australians love to hate, Canberra. I lived in Canberra for five years and I can tell you that it’s a terrific place to live, despite all the contempt directed at it by people who’ve never spent any time there. And Floriade is one of the many good reasons to visit the place, even if you don’t stay. It’s a spring flower festival that is dominated by northern hemisphere garden flowers, particularly tulips. Now Canberra also has a very impressive botanical garden, which of course features a wonderful selection of exquisite Australian flora, but if you want to feast your eyes on a veritable sea of exotic colour, you don’t want to miss Floriade.

The below images were made mostly with Fuji slide film (Velvia and Provia), shot with a Mamiya 6MF (using 50mm and 75mm lenses) and a Nikon F801S and a 60mm ‘Micro Nikkor’ lens. Floriade is located on the unceded lands of the Ngunnawal people (the name Canberra is a Ngunnawal word meaning ‘meeting place’).

Floriade 1 (M6) Floriade 2 (M6) Floriade 3 (Nikon) Floriade 4 (M6) Floriade 5 (Nikon) Floriade 6 Floraide 7 (Nikon) Floriade 8 (M6) Floriade 9 (Nikon) Floriade 10 (M6)

Thanks for reading.

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About The Author

By Simon Foale
Repairing and trying out my late grandfather's 1914 No.1 Autographic Kodak Junior initially led me down the film rabbit hole but now that I'm here I might stay for a bit. I am currently based in North Queensland, Australia. I used film for over 20 years before digital but these days I'm keen to indulge my curiosity about some film types I never tried back in the day, including some of the so-called 'document' films. I also like sharing stuff from my film archive.
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Comments

Ibraar Hussain on Ten (Temperate) Botanical Frames in Colour

Comment posted: 12/07/2025

Beautiful compositions
Beautiful colours flowers what can I say
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Simon Foale replied:

Comment posted: 12/07/2025

Thanks Ibraar. I've enjoyed your recent flower pics too.

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Gary Smith on Ten (Temperate) Botanical Frames in Colour

Comment posted: 12/07/2025

A spectacular burst of color to start my Saturday!

Thanks Simon!
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David Hume on Ten (Temperate) Botanical Frames in Colour

Comment posted: 12/07/2025

Hi Tony - greetings from a South Australian currently driving through NSW and who will be going home through Canberra. Another coincidence; I am literally uploading Velvia photos on a story shot in Venice in 1995 with a Mamiya RB67. But to your shots - wow - the colour, particularly in the feature shot, is wild! There are some reds that Velvia really seems to hammer. Was that one a Velvia shot? Would you share a bit about your digitisation process, as I've just gone through that? I'm curious how you digitised, what you did in post, and how close you feel these look to the transparencies on a light box. For mine, I shot them with a Nikon Df and a nice Nikkor 60mm AF-D macro (maybe the same ens as yours?) on a Kaiser Plano light pad. Camera set to Standard raw with white balance matching the Plano. Camera settings (not Adobe Colour) were applied on import to Lightroom and no other adjustments. Manual exposure set on what I gauged to be a pretty neutral slide and not changed. Cropped and exported to jpeg. That was it, and I feel it very closely mirrored the originals, so I'm keen to hear about yours. Cheers, I seem to have missed your posts so far for some reason, but I see you've done lots, so I look forward to checking them out. (travelling down from Pt Macquarie today)
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David Hume replied:

Comment posted: 12/07/2025

Simon I mean... where the hell did I get Tony from? Maybe because I was also writing to an Adelaide photog called Tony this morning. Sorry!

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