For those unfamiliar with the Travelling Canonet project, you can read about it here. We have over 50 photographers on 4 continents taking/waiting to take part. Two Canonets are...
This is a review of the Minolta Dynax 9xi (aka Minolta Maxxum/Alpha 9xi, hereafter referred to as the Dynax 9xi). It was Minolta’s second ‘professional’ Autofo...
My last ‘5 frames’ was a thinly veiled opportunity to complain about the ergonomics and reliability of the Minox 35EL. Even then I remained entranced by its tiny (...
For those unfamiliar with the Travelling Canonet project, you can read about it here. We have over 50 photographers on 4 continents taking/waiting to take part. Two Canonets are...
Borders slow things down. For this film, the original Canonet had to cross a customs border. That delay is a good part of why this is only the third roll from this camera. The c...
Previously, I’ve waxed lyrical about the Zeiss Super Ikonta 532/16 – a top of the line, pre-war German camera. As well as the super-sophisticated, super-heavy Super ...
This is a review of the Minolta 9000, the first professional autofocus camera. Back in the 60s and 70s the pro camera market was dominated by Nikon with their ‘bullet-proo...
Following on from a recent posting by Tim Wainwright, we met up at Southwark’s Borough Market, along with another 35mmc contributor, Peter Roberts. The idea was to get to...