20 December, 2025
Andato a Monte
I’ve been taking photos for many years. Over the years, I’ve realized that I enjoy photographing places, whether deserted or crowded—because in them, like in people,...
I don’t share much of my professional work on here – sometimes I wonder why, as honestly I think most of my hobby work is pretty basic, whereas I am quite proud of s...
14 December, 2025
Shadows On-Piste – My Best Photo of 2025
My name is Harrison Matthew, and I am a hobbyist photographer with one foot each in film and digital, preferring rangefinders and always looking for ways to bury myself further ...
13 December, 2025
The Joy of Multiplicity – Using the Nikon FM10 for The In-Between
There’s a quiet honesty in working with the Nikon FM10. It’s not an expensive camera nor a collector’s prize, but its simplicity makes it indispensable to my process. The FM10 o...
13 December, 2025
A Summer Workshop and my Yashica Electro 35 G
In my previous post, I mentioned I teach Advanced Placement (AP) Drawing and 2-Dimensional Design. Over the summer, I attended the AP Summer Institute (APSI) at the University o...
12 December, 2025
How Nissan Crossing Has Changed Over Time
As a petrolhead, I always make a point of visiting Nissan Crossing whenever I’m in Tokyo, even if only for a few hours or half a day. Situated in Ginza, one of Tokyo’...
11 December, 2025
In the Land of Fjords – Finding Scale with the XPan
Landscapes are a tough sell for me. I’m not a dedicated landscape photographer, and all too often, I find myself tiring of my own vista shots over time. My house only has ...
10 December, 2025
Carl Zeiss Jena Sonnar 135/4 – A Demanding Use Case
For shooting Rossini’s The Barber of Seville at Teatro Marrucino, I took a Carl Zeiss Jena 135/4 lens as a backup for long shots. Master Adriano Lolli replaced the origina...
