9 August, 2023
Ilford Ortho 80 Plus for Documentary Photography: A Review
Any film still in production today must have something going for it – almost a survivorship bias in effect. I don’t think there are any “bad” films, only...
4 August, 2023
Zorki 1 Review – the Russian Leica (of sorts)
I am always curious to try out various models of Russian cameras. I find myself interested in just how bad a camera can get, and if I can get a decent result out it. When I star...
2 August, 2023
Minolta Pocket Autopak 460 Tx 110 – A Shooting Experience
Reading several excellent articles, here and elsewhere, introduced me to an area of photography I had only considered as snap-shooter territory, the 110 Pocket Instamatics. This...
Late last year TTArtisan released the sub £200 TTArtisan 35mm 0.95 lens for APS-C systems including E/X/EOS-M/Z/RF/L Mounts. This focal length and aperture combination has been ...
Sometimes, in the world of photography, certain cameras hold a special place in our hearts that goes beyond their technical specifications. They become vessels of cherished memo...
28 July, 2023
AGIMatic – an Innovative British 35mm Film Camera
I’ve written before about the British camera industry. I've done a review of a medium format SLR from a company called 'Aeronautical General Instruments' (AGI). AGI were based i...
26 July, 2023
Kodak Colorplus 200 Colour Negative Film Mini-Review
Recently I thought I would give colour negative film a try again having used a great deal of this film type in the past, which I used to process myself in Neofin Colour chemistr...
Before the new cell phones, I had several 35mm film cameras, digital point & shoot cameras and eventually splurged for a DSLR. The two P&S models were a Panasonic DMC-LS...
