Latest Posts
11 January, 2023
NEWS: Analogue Wonderland’s New Lab Print Service Reduces Waste and Increases Quality
Analogue Wonderland has launched a new eco-friendly service that supports photographers with higher quality prints while eliminating waste at the same time.
The new printing se...
11 January, 2023
Mission, Distraction, Epiphany in 5 Frames, featuring a Zeiss Ikon Contessa and Portra 160 – By Martin Misiak
My daily driver for the last 6 months or so is a 1950 Plymouth with a bit of a gallop. I learned that one of the wheels was warped. Finding a replacement stock wheel for a 72 ye...
10 January, 2023
Gear Theory – Shooting Film in the Rain – By Ted Ayre
I grew up on my neighbours’ farm in the Lake District, England and spent lots of time as a child helping the adults outside with the sheep, lambs and cows in the pouring r...
9 January, 2023
Reveni Labs Incident Meter Prototype Preview
Matt very kindly sent me a prototype Reveni Labs Incident meter to play with. It’s fair to say, this meter is not exactly conventional in terms of how it’s held or intended to b...
8 January, 2023
5 Frames of old aircraft in Latvia with an Olympus OM-1, a Zuiko 28mm f/3.5 and Kodak Ektar 100 – By Michael Jardine
I was inspired by a recent 35mmc post to put together a set of 5 photos of the Riga Air Museum in Latvia, which I visited this summer at breakneck speed (and only just caught my...
The Zeiss Ikon Contaflex is an over engineered and overly complicated leaf shutter SLR. They were manufactured from 1953 to 1974 and went through several iterations, each more c...
A big update is here for FilmLab, the standalone mobile and desktop software that helps film photographers easily digitize their negatives. FilmLab 2.5 brings some of the most r...
6 January, 2023
Tokyo in Monochrome – Part 1 – by John Paul Menez
Maybe it's the weather mixed from the winds breaking against Mt Fuji. Maybe it's the mist rising off of Tokyo Bay in the mornings. Or maybe it's the elegant wardrobes of the s...
