This photo was also part of a recent post I shared here on 35mmc. Apologies for sharing it twice in quick succession, but this image also fits the idea of my favorite photo of t...
Winter Sunlight, NYC, 2025. Rolleiflex 2.8F, Zeiss Planar f2.8, light yellow filter. Tri-X 400. This post is the final installment of a four-way conversation between Scott Fergu...
About 4 years ago I was looking for a medium format film camera. I went through all the choices and could not decide. Then I came across Anna Starr (anna.s.snapshots on Instag...
I’ve always felt a kind of disgust toward the trend of full automation and burst shooting. I call it spray and pray. The camera sets the exposure, detects a smile, locks on an e...
I came across the wasp while walking to town on an unremarkable Sunday afternoon. This modest photo was taken with an ailing Pentax Auto 110 film camera, using a generic colour ...
I’m a big fan of the Color-Minotar lens that graces the tiny body of the Minox 35 cameras. About the only thing that annoys me about the lens itself is the misspelling of ...
A log time ago in a far off century, 1996 to be precise, a collective consortium got together led by Kodak, Canon, Minolta, and Nikon to launch a new film format, this format be...
Last spring the opportunity came up for a family trip to Mexico City. A week before our departure, I acquired an Olympus 35 RC from a camera show. I thought this would be useful...