Latest Posts
I decided to expose RPX 25 (two years past its use by date) at 100asa unfiltered. Why? Well (a) I am after all British, and that’s the sort of stupid thing we do sometimes, (b) ...
17 June, 2024
Adox CHS 100 II – First Impressions
Adox CHS 100 II is an orthopanchromatic film on a PET base. Orthopanchromatic? What is that? In brief, somewhere between ortho and pan, but the long and better explanation is as...
Visualise entering a space lit by artificial light, where the outlining of day and night blurs, and everything you see is human-made. It is an environment where the architecture...
15 June, 2024
Seeking Stefan – A One Shot Story
According to my friend Stefan I have a doppelgänger. He goes by the name of Robert apparently. Although doppelgänger usually receive a bad press I’ve never really consider...
15 June, 2024
One Photographer and Two Cameras for Spares & Repairs
My last article, Two Photographers, One Camera, and the Crushing Disappointment of Film, attracted a fair amount of comments—encouraging and not-so-encouraging. The results from...
14 June, 2024
Modifying and Shooting a Sprocket Rocket in Oxford
This project aimed to improve the quality of the images produced by the Lomography Sprocket Rocket. The Sprocket Rocket is a plastic camera designed to achieve and does deliver ...
14 June, 2024
Adox CMS 20 II Pro – My First Roll
Adox describe their CMS 20II Pro film as “an orthopanchromatic and ultra-high resolution film based on silver halide material” and “the highest resolution, sharpest fine-grain f...
This shot, taken during the Italian Road Running National Championships, is a fair application of the French philosopher Henri Bergson aphorism to composition: the eye sees what...
