14 October, 2024
Yashica D – Diving into Medium Format
I have been intrigued by medium format film cameras for a while. It wasn’t until I saw a very positive review of a Yashica D TLR that I seriously looked into the possibility of...
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13 October, 2024
Minolta Hi-Matic S2 – The One I’ll Never Part With
Grandma was an artist, a painter. Her specialty was dramatic landscapes á la Bob Ross—you remember Bob Ross, the gentle spirit that graced public television while painting “happ...
12 October, 2024
Fuji Eterna 250D – My first step into cine film stock
I’ll be honest, I have never shot any cine stocks like Kodak 250D or 500T which seem to be shot by most people. There’s been a couple of reasons for that. Cine film ...
12 October, 2024
5 frames with Petri 7s using Kodak Gold 200
Several months ago, I stumbled across Barry Carr’s article 5 Frames With the Petri 7s. It quickly led me down a rabbit hole, as I wasn’t overly familiar with the Petri line of g...
11 October, 2024
The Whole Roll – Kodak Portra 160 – Summer, New Orleans City Park.
I know, I know—color film. Something about the way the Portra family renders those dreamy pastels calls to me—some background before we start. I am 30-something years old now, m...
11 October, 2024
Boots 35AF – This Boots is made for shooting
And that is what it does. Yeah, I know, but I couldn’t help myself not to bring Nancy in this story. Fun fact, it is the only camera in my small collection to have a panor...
10 October, 2024
Soho (Needless To Say)
Dr Samuel Johnson once said something along the lines of ‘when a person is tired of London, they are tired of life’. For me, London is a city that I will never tire ...
10 October, 2024
The good, the bad, and the grainy – exploring Czechia with an untested Pentax 170SL
This month, I committed a cardinal sin within my own photography – I took an untested camera away with me on holiday. It was my mums Pentax 170SL, the one she had bought during ...
