I'm more of an SLR guy, but it was inevitable that I too would have to get a taste of the rangefinder world. For me, it started with a "Revue 400 SE". Revue is like a private l...
When it comes to B&W film choices we are blessed with an abundance of choice, from small companies and creative stocks, to stalwarts of the film industry. I knew of Kodak's ...
This isn’t a film review. These aren’t carefully selected photos. Last week, I went outside near my home with a roll of Kodak Technical Pan to make the most of some fog. The res...
21 February, 2023
5 Frames on the Kodak 66 Model iii and Portra 400 – By Stevie Keen
As an early foray into film photography, the Kodak 66 Model iii was a steep learning curve. No light meter, no way of measuring distance and a sequence of buttons and levers tha...
16 February, 2023
5 frames with a lost Kodak ColorPlus 200, a Leica M3 & 40mm Summicron-C – By Hugo Munoz
Finding an unscanned film from a few months ago is nothing compared to great photographers finding amazing images from decades ago. But for me who likes to develop at home as so...
8 February, 2023
5 Frames in Sedona, Arizona on Kodak Ektar – By Kevin Montanaro
Not all films are created equal. That’s something you learn when you get into analog photography. Each film stock is its own tool, and there are times when you want to use a spe...
2 February, 2023
5 Frames in St Kilda, Melbourne with a Holga – By Paul Sutton
St Kilda, not the wild islands off the coast of Scotland, but the plastic fantastic beach side suburb of Naarm (Melbourne, Australia). Where roller blades and lycra, sunglasses ...
11 January, 2023
Mission, Distraction, Epiphany in 5 Frames, featuring a Zeiss Ikon Contessa and Portra 160 – By Martin Misiak
My daily driver for the last 6 months or so is a 1950 Plymouth with a bit of a gallop. I learned that one of the wheels was warped. Finding a replacement stock wheel for a 72 ye...