A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed. Exposed at EI8...
I am not one plagued by Gear Aquisition Syndrome (aka G.A.S.) per se since I have some solid cameras in my arsenal that I am happy with. What I have been in search of is the ide...
15 June, 2019
Kodak Ektar 25 – Living in the Past, a Hasselblad, and Flooding in Mississippi – by Andrew Morang
Yes, I know, I am living in the past. I remember when I could buy a Shutterbug in the supermarket, read through page after page of small-text advertisements, and call (with my l...
12 June, 2019
5 frames with a Canon A-1 and TRI-X – By James Mitchell
When my sister asked me for Christmas present suggestions, I just said “film”, and not HP5 or FP4 because I shoot those pretty often. I was very excited to unwrap a roll of Koda...
My forth roll of Kodak Ektachrome E100 has been, at least a little bit, about experimenting with an incident meter. Even in the few rolls I’ve shot - and despite the mistakes an...
Kodak Portra 800 is quite possibly my favourite colour negative film. I say that as someone who’s just committed to shooting only P3200 and Ektachrome E100 for at least 6 months...
27 May, 2019
Kodak Ektachrome E100 – First Rolls Review – Pt2
It’s safe to say that my first post about shooting Kodak Ektachrome E100 gave me a lot to reflect on. Not just the experience itself, but the comments I received in response to ...
13 April, 2019
5 Frames with Kodak T-MAX P3200 (Pushed to 6400), a Leica M3 and v1 35mm Summicron – By Steven Bleistein
The other day, I was shooting in Tokyo’s Tsukiji outer market on a dark and drizzly morning. Not only was it overcast, but I was shooting in the shadows of buildings, so ISO 400...