Cinestill CS-LITE

NEWS: The Cinestill CS-LITE – A Compact Scanning Light Source with Temperature Control

Cinestill has released a consumer-grade LED light source specifically designed for digital camera scanning of photographic negatives. Created intentionally for film shooters scanning at home, it is also compatible with existing scanning tools from VALOI.

As seen reported on Kosmo Foto, the CS-LITE is compact (6.5in x 4.4in) and priced at $34.95 (initial sale price of $29.95). The aim is to provide a high-quality light output that allows for improved color management when scanning negatives with a digital camera. The light source has a CRI of 95+, a brightness of EV 15+, and can be adjusted for three different color temperatures for scanning different types of films (black and white, color negative, and color reversal).

CS-LITE scanning LED
CS-LITE scanning LED – Image via Cinestill Website

CRI is the Color Rendering Index used to measure the effectiveness of LED lights. The measurement scale runs from 0 to 100. A score of 100 means that the colors of items under the light source would appear the same as under natural sunlight. A score of 95+ for Cinestill’s CS-LITE is a very high rating, the same score range used in art galleries and Hollywood production sets where colors need to be as accurate as possible.

EV+15 sounds bright, but what exactly does that mean? Looking at an exposure value scale, an EV of +15 indicates an amount of light equal to bright or hazy sunlight. (Source: Fotodiox). So, the CS-LITE is passing enough light through your negatives as if they were out on a sunny day. Cinestill says this should be enough for even the densest of negatives.

The ability to control color temperature is what Cinestill says sets this product apart from the rest. Each color temperature will have a different impact on each type of film negative. Cinestill recommends the cool light mode for color-negative film with an orange mask to better balance and separate the colors while also decreasing noise. White light mode is intended for black and white film and warm light is matched for standard E6 slide film.

CS-LITE scanning temperature control
CS-LITE temperature control – Image via Cinestill Website

Accompanying the controllable light are two bonus accessories, the CS-LiteMask and the CS-LiteBrite. The LiteMask works with the negative carrier to stop light from spilling out the edges which can decrease indirect light impacts. The mask is made to fit Valoi 360 film carriers but it can also be used with others as well such as ones from Lomography or Negative Supply. (Source: Cinestill)

The LiteBrite works to further increase the brightness to help achieve sharper scans. It is a collimator sheet that is placed directly over the light source which also helps along with the LiteMask to reduce light spill and add to the uniformity of the diffused light passing through the negatives. Collimation is a method of narrowing light to a center point to make it brighter (Source: LG-MRI).

CS-LITE scanning LED
CS-LITE scanning LED – Image via Cinestill Website

The CS-LITE operates by plugging into a constant power source and does not involve batteries.

To find more information about the CS-LITE, head over to Cinestill’s product webpage here.

Contribute to 35mmc for an Ad-free Experience

There are two ways to experience 35mmc without the adverts:

Paid Subscription - £2.99 per month and you'll never see an advert again! (Free 3-day trial).
Subscribe here.

Content contributor - become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.
Sign up here.

About The Author

9 thoughts on “NEWS: The Cinestill CS-LITE – A Compact Scanning Light Source with Temperature Control”

  1. Thank you for the review. I purchased this as soon as it was announced and received it a few days ago. I had the opportunity to scan a few rolls of B&W film and can only say this product is really great. I own the Valoi negative carriers and it works flawlessly with them. So far with the first two rolls of 35mm I just scanned this is a massive improvement over my previous light source. The tight fit of the carriers against the light source, along with the brightness of the light made my scanning much easier and enjoyable than before.

    It’s affordable and works really great.

  2. I’m not sure why the Lite Brite mask is not a permanent part of the light pad if it works as described.

    Also, the three different light temps are, well, arbitrary. Cool, neutral and warm. There are too many other variables in the picture taking process for that to matter. What film stock did you use? Even if you use colour negative film, some are warmer than others. Some are more saturated etc.
    What time of day did you shoot? Was it early in the morning, late in the day? The natural light temp will be different. Did you use any filters? etc

    It’s a gimmick. Just scan in RAW/DNG, and adjust your colour white balance on the final result.

    1. Not the case. Some films respond differently to being scanned at different temperatures. If you’re interested in finding out more, and have access to Facebook, look for the “digital film scan tools” group and have a look for Richard Karash’s recent post.

Leave a Comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Scroll to Top