The City Speaking All At Once – A One Shot Story

By Danilo Leonardi

I was there after a morning meeting, part of the routine marketing work that freelancing tends to require, now walking through central London on my way to the tube station with less urgency. It was a few years ago, during one of those unusually warm summer days that now appear more often in London than they used to. You adjust without noticing, with slower steps and narrowed vision. You walk in the shade where you can, as if in a Mediterranean climate.

The senses feel overwhelmed. The hard light of the summer day is the first pressure. Pavements glare. Glass reflects more glass. Then there is the noise as accumulation. Traffic. Compressed air from buses. Tyres passing over tarmac.

The street becomes a field of overlapping signals. Around Tottenham Court Road station this becomes especially visible. There are several “Londons” overlapping: commuters stepping out into the sun during lunch break, tourists, retail spaces, souvenir shops, traffic lights, and signage. All seemingly occupying the same space at once.

In this part of town, London constantly tries to organise you through signage.

A man is at the edge of movement, shading his eyes against the assault to the senses. The gesture seems to contain the logic of the place: to move, you must first find your bearings and interpret, to interpret, you must select, and then decide. It is a place of transit.

I used a Nikon Coolpix A, an APS-C compact (with the same imaging sensor as the D7000 DSLR camera), set to aperture priority. It has a fixed wide-angle lens, 28mm equivalent in 35mm terms. I mounted an SB-800 flash unit on the hot shoe. It is relatively powerful for the size and recycles quickly as fill flash, which works well if you need to photograph in quick succession. But it is almost the same size as the camera, so you need to hold on to the camera because the combo is not at all well balanced.

The photograph, by imposing a frame, edits the space, and the fill flash ensured the man in the picture was not rendered as a silhouette.

The other half of this pair of “One Shot Stories” considers a different season (winter), where the city is “reduced” “simplified” under a blanket of snow, rather than “over-determined” by the architecture, the signage, and the street furniture.

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About The Author

By Danilo Leonardi
Danilo embraced the philosophy of always having a camera by his side because some time ago he realised that he cannot stop seeing pictures. He currently freelances as a photographer and videographer. He is also an instructor, and his learners tell him that they like the way he demystifies things for them. His interest in all things photographic started when his aunt Elsa gave him a Kodak Brownie Fiesta for his 5th birthday. Contact him via his Instagram @daniloleonardiphotography
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Comments

Ibraar Hussain on The City Speaking All At Once – A One Shot Story

Comment posted: 11/05/2026

Nice photo Danilo
I know the area well, Fitzrovia was where I misspent my days in the pubs and bars around there as my university (Univeristy College) was close by
I wish the warm weather would return, it's been cold since August and rain rain rain.
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Danilo Leonardi replied:

Comment posted: 11/05/2026

Thank you, Ibraar, I’m glad the photograph brought back some fond memories of Fitzrovia and your university days. Thank you as well for taking the time to leave a comment.

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Ibraar Hussain replied:

Comment posted: 11/05/2026

We used to go to the Fitzroy Tavern then to the Rising Sun and to the Troy Club and Sevilla Mia and Bradleys down Hanway St. through the whole of the 90ies and 2000's. I still pop over. Used to be a good camera shop - West End Cameras and another I forget the name but it was the best around there I also used to work at Habitat and Heals Thanks again

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Danilo Leonardi replied:

Comment posted: 11/05/2026

Thank you, Ibraar, the memories you shared add another layer to the photograph. Best wishes.

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Charles Higham on The City Speaking All At Once – A One Shot Story

Comment posted: 11/05/2026

Really good photo. And very central London, which is as you suggest a kaleidoscope of signage and people. This must be Centre Point which has a fascinating history and, if only from its height, it dominates the locality. A similar brutalist building in the area is what was Camden Town Hall. The Standard Hotel. It's now a hip and stylish place. There's clearly nothing wrong with the sensor on the Nikon Coolpix A, in this case assisted by your powerful flash unit which I wouldn't have thought of using in this situation but has come up trumps.
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Danilo Leonardi replied:

Comment posted: 11/05/2026

Yes, it’s the Centre Point area! I no longer own the Nikon Coolpix A, although I did enjoy using it very much. The image quality was extremely high, but I never felt it became the perfect second camera for me. A camera of that type, with no viewfinder, almost seems to invite being driven directly from the screen with touch focus, but alas, it wasn’t a touchscreen model. Perhaps that aspect would have been addressed had there been a later iteration, but that never happened.

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Walter Reumkens on The City Speaking All At Once – A One Shot Story

Comment posted: 11/05/2026

The fill-flash technique reminds me of Martin Parr. He would probably have shot this scene in exactly the same way. I really like the photo! The Nikon Coolpix A also caught my eye when it was launched, but the lack of a viewfinder – the display wasn’t enough for me – put me off buying it. In the end, alongside the Nikon DSLR I already owned, I went for a Sony NEX. It’s a purchase I’ve never regretted. I still take photos with it. Thanks for sharing.
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Danilo Leonardi replied:

Comment posted: 11/05/2026

Thank you very much for the kind comment, and for the Martin Parr comparison. The lack of a viewfinder felt less of an issue to me with a compact camera of this type. What I missed most on the Nikon Coolpix A was a touchscreen to guide the focus point, which in my view would have made a great deal of sense on a camera like this. I did enjoy using it, and the output quality was excellent. The exposure and general functionality of the Coolpix A were always spot on.

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Walter Reumkens replied:

Comment posted: 11/05/2026

I’ve been at this for quite a while now, and my compact cameras – the Olympus mju 1, Yashica T4 and whatever else they were called – only had a viewfinder and no display. Just like the Nikon F3HP or F100! :-)))))) Even today, I still prefer to use the viewfinder; I switch off the touchscreen, set the autofocus to single-point, and I know how to operate the camera. Okay, my PEN-P5, which I like to use in the city from time to time, only has an attachable viewfinder, which I leave at home; of course, it works quite well with the flip-out display too, especially when I have the display at hip height and look down at it from above. I’ve never missed having a touchscreen. Just old school, I suppose. :-))))

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Gary Smith on The City Speaking All At Once – A One Shot Story

Comment posted: 11/05/2026

Nice shot! Thanks for sharing. Maybe someday I'll make it to London?
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Danilo Leonardi replied:

Comment posted: 11/05/2026

Thank you! If London is in your future plans, as the old saying goes, “if you tire of London…” I hope you enjoy every bit of it.

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Jeffery Luhn on The City Speaking All At Once – A One Shot Story

Comment posted: 12/05/2026

No worry about the Norsemen attacking London again. It would take them 15 years to get through the traffic. And the sunburns. Another obstacle!
That photo has a lot of funny caption possibilities. I like it!
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Danilo Leonardi replied:

Comment posted: 12/05/2026

Wow, yes! I’m glad you enjoyed it, and I like that it can be read in different ways. Best wishes!

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