I suddenly find myself a day to day nomad. Working in three different offices I still feel a little like a tourist in the neighbourhoods I now spend most days. The past few months have been crazy. Heading out at lunch to switch location the autumn air is damp but refreshing. I walk to clear my head, occasionally I grab the camera from my bag, capturing scenes that are simultaneously familiar and foreign.
A few times a year a local camera store arranges auctions for all sorts of camera gear. It’s hard to make great deals here, but in the slow local market it’s a real treat to have such a wide range of items on sale at once. As you can also head to the store and inspect anything you fancy ahead of time I enjoy going there even if I’m not dead set on buying something. A few years ago I bought my favourite camera here – the Leica M4-P – and this year my eye was set on a Rolleiflex.
Inspecting a few different items neither was quite was I hoped for and I turn my attention to other things I was keen on.
In the instance that the tiny black camera gets placed on the counter I know I’ll try and buy it. It simply looks amazing and feels just as nice. I diligently inspect the three silver screw mount Leica’s I’ve also asked to have a look at, but my mind’s already set. A few days later I walk out of the store with the Leica II, made in 1930 and apparently upgraded by Leica from a Ia.
I worried that shooting the old camera would feel too convoluted to be enjoyable, but walking around shooting the tiny thing I enjoyed myself immensely. It’s a change of pace to what I’m used to, but in the best way imaginable. Practically every function of the camera is separated from anything else which leads to a very involved shooting experience. Still as there’s not a single required order to do things in, it ends up feeling a little more improvisational than with a more streamlined camera. There’s a bit more work to set up the camera, but once done it’s actually really quick to shoot. It feels great to use and I imagine it had to be a real revelation 88 years ago.
The included images are all from the first and so far only roll of film I’ve put through the camera – Superia 400, scanned using my trusty Plustek 8200i. It’s a set that’s a little different to what I’m usually shooting, but I’m really pretty happy about the results.
The lens, an Elmar 50/3.5 that from everything I can tell is the original lens that came with the camera, obviously can’t compare to the modern glass I generally shoot, but stopping down it can actually hold its own surprisingly well. The lens is rather hazy though, which causes some issues with high contrast scenes.
The shutter seems to work reasonably well all things considered, without light leaks or holes. However it’s running uneven at higher speeds leaving half of the frame unexposed at 1/500th. So I’ll be sending out the entire kit for a CLA.
Still as first impressions go, these are pretty excellent and I already look forward to putting many more rolls through the tiny camera.
Contribute to 35mmc for an Ad-free Experience
There are two ways to experience 35mmc without the adverts:
Paid Subscription - £2.99 per month and you'll never see an advert again! (Free 3-day trial).
Content contributor - become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.
Sign up here.