A new old lens at No Kings Day protests

By Art Meripol

I admit. I went down the rabbit hole trying to pick out ‘the’ Leica 50mm glass to put on my Leica M4-P. I bought the camera some years back from a friend and he included a Voigtlander Nokton 35mm 1.4. It’s a lovely piece of glass.

But I couldn’t help wanting to put Leica glass on the body. And since I’ve always liked a 50mm I started studying all the variations. Many here have probably done similar and know all the choices available. And the choices are many.

I finally narrowed it down to either a Summicron 50mm f2 or… I know it’s not exactly a Leica but… a Zeiss Planar 50mm. Another pro photographer friend has the Planar and really likes it. I was looking on the web and came across a pristine looking Summicron. It’s a version 3 from 1968. The version 4 is lauded often but the version 3 has some detractors. Then again my 1980 early model M4p does too.  But it looked really nice and the price was about the same as a nice used Planar so I bought it.

I received it just a week ago and this past weekend finally took it out to play. Over my years as a journalist I covered many kinds of rallies and protests but was never a participant. My wife and I decided to join in the No Kings rally near us. I thought it a perfect chance to test out the camera and lens combo. I debated taking a digital camera but decided just to use my phone when not shooting with the Leica. I also brought a Voigtlander 21mm but never used it. I just wanted to test the 50.

Fav shot of the day. This frame just seems made for 50mm.

It was strange to be a participant but the journalist in me demanded a bit more. My long-suffering wife even helped me by carrying my sign when I wanted to shoot.

No Kings in America. No matter how much some would like to be king.

I only shot 25 frames of the roll. I chose Tri-X out of nostalgia to my long-past newspaper days. It was an incredibly bright clear fall day and I would have been better served by shooting some 50 or even 25 speed film. As it was I was shooting 500th  around f11 most of the day.  So I didn’t get to test the lens wide open. The film is so grainy it was hard to be sure how sharp the lens was. But it was very sharp as text in some signs shows.

Text very sharp on the sign.
Tight crop of the face showing grain but also still sharp on the eye.

Metering was with the new KEKS M meter which I put my trust in and found it to be perfect.

Being new in my hands I was working much slower than I expected. I found my fingers searching for the focus tab and then with the camera in a vertical position and me being left-eyed it was even more of a challenge. But I think the slowing down was just the right thing for me. I would see someone I wanted to photograph and, after asking permission which was always granted, I would focus and shoot a frame. Just one. I was far too slow to shoot candid with any anticipation. I hope I can speed up with it as usage becomes more automatic.

I did shoot some photos I liked and one in particular I really liked and thought I would not have captured had I been shooting digital.

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About The Author

By Art Meripol
Journalism degree. 13 years as a news photographer with a sideline as a concert photographer before 24 years as a magazine travel photographer and the last 10 years freelance for editorial and corporate clients. Official photographer for the US Civil Rights Trail.
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Comments

Steve Macfarlane on A new old lens at No Kings Day protests

Comment posted: 19/11/2025

Nice photos and congrats on getting the 50 Summicron! I’ve had a v. 3 Summicron 50 for over 10 years and love it particularly with black and white film. Beautiful subject/background separation. I also had the Zeiss Planar but sold it and kept the ‘Chron. The Chron has more character and is smaller and lighter. You made a good choice!
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Art Meripol replied:

Comment posted: 19/11/2025

Really good to hear that you've enjoyed your Summicron. I'm pretty sure I'll be able to say the same in 10 years too. I really only plan to shoot B&W with it anyway. Shoot film I just don't see color as a personal choice for me. Though I do miss those old chromes on a light table.

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Charles Young on A new old lens at No Kings Day protests

Comment posted: 19/11/2025

Art: Your Leica "glass" plus your "news eye" is doing a good job.
The big message is in the photos.
Let's hope for big political changes in the near future!
Chuck
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Art Meripol replied:

Comment posted: 19/11/2025

Those changes can't happen soon enough. Thanks Charles. Though it's been years since I shot 'news' I'm glad I still have a bit of my news eye.

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Geoff Chaplin on A new old lens at No Kings Day protests

Comment posted: 19/11/2025

I sold my cron to buy a planar and a sonnar and don't regret it. But which camera and lens matters little compared to subject matter and the photographer's intention. Your subject matter is too important to be overly worried about kit. Great images!
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Art Meripol replied:

Comment posted: 19/11/2025

Thanks Geoff! I know I couldn't really go wrong with any of those lenses. But I'm happy with my choice. Like you said, it's really about subject and intention.

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Gordon Ownby on A new old lens at No Kings Day protests

Comment posted: 19/11/2025

Thank you, Art. Looking forward to some posts when you get the chance to shoot wide open. As shown, that Tri-X grain on skin tones looks perfect, especially in the first photo of the series. Congratulations on your cool analogue set-up.
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