Arizona Dreamin’ – One Shot Story

By Eagle Omomuro

It was close to nine in the evening, yet the edge of the sky was still pale blue. The heat had not softened. Dry wind lifted sand and cut against my exposed skin. Eighteen wheelers tore past me along Interstate 40. Their low growl rising and falling in the dark afar. I lit a cigarette, exhaled, and watched the smoke trail after them into the night.

But my thoughts were already elsewhere.

An old mahogany drawer that hadn’t been opened for decades. Inside were things once gathered with passion. I could not tell what I was looking for, a specific object, a reason they had been brought together at the time, or the faint trace of the excitement I once felt while chasing them.

This month-long road trip carried more weight than two pieces of luggage. It was my first return to the United States in more than a decade, and my wife’s first time there. We drove across mountains and rivers, from Boston to Los Angeles, carrying a question that had remained unresolved in our quiet life in Tasmania, one of the world’s most forgotten islands. We stepped away from routine, locked the door behind us, and took the longest flight back to where I first encountered the unknown seventeen years ago, not to recover anything, but to see whether the stillness we had learned to live with could be disturbed at all, a condition I tried to describe earlier in Still, Like Yesterday.

We recognized the pattern almost immediately. It was like opening a candy can we knew well, and telling ourselves a new flavor was waiting. Prices changed from Australian to US dollars. The greetings sounded different. The phone numbers carried another prefix. Yet a day on the road still felt like another day, booking the cheapest acceptable hotels, calculating the best routes, comparing cities and towns while imagining where we want to live, taking photographs and hoping one would surpass something I made long ago. It all felt familiar. We just pretended it mattered.

Then, Arizona. Wind surged without resistance, carrying dust across long, open stretches. The straight road ran with it, reaching toward the horizon under a deep sky. The dryness felt familiar, remembered more by the body than the mind, like the Siberian winters of my earliest years. The pressure moved forward, making stillness feel out of place, as if running was the only move that fit.

There were no soft hills. The sky was never gray. I didn’t need a church to pretend I was praying. Even loud voices carried that way.

Over there, it’s never such a dead day.

Share this post:

About The Author

By Eagle Omomuro
Hello 35mmc community. I'm a photographer who tries to explore the unconventional. Originally trained in professional photojournalism, I’ve shifted my focus to capturing moments that express raw emotions that I call Tanha and Dukkha. My current direction is inspired by Ero Guro Nansensu, a Japanese genre that blends eroticism, sexual corruption, and decadence. Feel free to explore my work at nansensu.com.au
Read More Articles From Eagle Omomuro

Find more similar content on 35mmc

Use the tags below to search for more posts on related topics:

Donate to the upkeep, or contribute to 35mmc for an ad-free experience.

There are two ways to contribute to 35mmc and experience it without the adverts:

Paid Subscription – £5 per month and you’ll never see an advert again! (Free 3-day trial).

Subscribe here.

Content contributor – become a part of the world’s biggest film and alternative photography community blog. All our Contributors have an ad-free experience for life.

Sign up here.

Make a donation – If you would simply like to support Hamish Gill and 35mmc financially, you can also do so via ko-fi

Donate to 35mmc here.

Comments

Gary Smith on Arizona Dreamin’ – One Shot Story

Comment posted: 20/01/2026

Great words Eagle. You don't have to pretend that it matters.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *


Erik Brammer on Arizona Dreamin’ – One Shot Story

Comment posted: 20/01/2026

Eagle, this is a stunning photograph. I have looked at it several times and will do so more often, trying to figure out the underlying composition - even if that shouldn’t even matter much. Your words also deserve to be read more often.
Reply

Leave a Reply

Your email address will not be published. Required fields are marked *


Leave a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *