Underground BXL HP5

Underground 3: retakes on HP5+

By Geoff Chaplin

The aim was noble I think. To retake underground 1 and 2 shots on film. I would necessarily need to expose either slow film using a tripod (anathema to me, and permission would be required from the museum) or use a fast film hand held at slowish shutter speeds. I chose the latter and picked HP5+ to be stand developed in Rodinal – stand developing being a compensating process allowing the underexposed areas to be developed for longer while controlling the development of the highlights giving a full tonal scale. Or so the story goes.

I should add 400asa and I have a history together. It’s over 50 years since I used high speed film regularly – and that was to photograph meteors. Times after that when I used 400asa film I can only say I disliked the results. And still do. And the results of the retakes have done nothing to change my mind. I don’t like fast film. Got that?

I retook images using a Leica MP, incident light metering, the same 50mm Zeiss Sonnar as in the previous articles but just for fun I also took along my Voigtlander 15mm f4.5 lens. Yes, f4.5. With the Sonnar at f2 and exposing at box speed exposure time was generally 1/30 to 1/15 of a second. F4.5 you say? Yes, exposures generally 1/8 to ¼ second. Bear in mind the 15mm focal length can be handheld easily to give sharp images at 1/15 second, so for both lenses I’m only talking about 1 to 2 stops longer exposure than that. It puzzles me that digital photographers with 5 stops of image stabilisation sometimes take snapshots using a tripod in bright sunshine – what the hell are they doing? Sorry, I’m in a grumpy mood today.

Film was scanned on a Sony A7Riii and Sigma 105mm macro lens. I tried rescanning with different setting to get as much from the highlights as possible – with limited success. It will be interesting to see how wet process prints cope.

Underground BXL HP5
Walkway deep under the former chapel
Underground BXL HP5
Rue Isabelle from the top. The concrete beam and slab support the world above.
Underground BXL HP5
The great oven
Underground BXL HP5
Chapel basement. 15mm lens.
Underground BXL HP5
The bottom of Rue Isabelle, 15mm lens.
Underground BXL HP5
Rue Isabelle from midway, looking down. 15mm lens.

The underground remains of the palace are far more extensive than the sewer tour – the latter being essentially just a short walk by the underground river and another short walk over a main sewer, while the palace offers the opportunity to get lost at least on a first visit.

Underground BXL HP5
River. Note debris on the fence showing that the walkway is often partially underwater.
Underground BXL HP5
Walkway over the main sewer.
Underground BXL HP5
Exit and entrance. The steps lead to an 80kg manhole cover and the main road.

I’ve probably made it clear that I’m not happy with the results on HP5+, primarily because of the blown highlights which you probably noticed, let alone the post-apocalyptic grain. Pyro developer would have handled both better at the cost of another one or two stops exposure and the need for a tripod. Had I taken that route I would have also chosen FP4+ film instead.

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About The Author

By Geoff Chaplin
Primarily a user of Leica film cameras and 8x10 for the past 30 years, recently a mix of film and digital. Interests are concept and series based art work. Professionally trained in astronomical photography, a scientist and mathematician.
Read More Articles From Geoff Chaplin

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Comments

jfbonnin on Underground 3: retakes on HP5+

Comment posted: 20/09/2025

Great !
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Thomas Wolstenholme on Underground 3: retakes on HP5+

Comment posted: 20/09/2025

I look forward to seeing a set of wet prints done from these negatives, assuming that some serious hand work goes into the print exposure process. I see the blown out highlights, but this strikes me more as a combined effect of exposure, film choice for this lighting and developer choice and usage. I've done and seen work work by others in somewhat similar, although clearly not identical, circumstances which rendered the highlights better than this. But highlights aside, these are remarkably acceptable. And at least as presented in this article, the grain is not bad.
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