Virus in Vicksburg – a quick overview by Andrew Morang

The coronavirus has caused almost unprecedented disruptions to commercial activity around the world (I wrote “almost unprecedented” because the great flu influenza of 1918 caused similar confusion and disruption to the WWI generation). Worldwide, the 1918-1919 influenza may have killed over 50 million people, many of whom were in India. Read The Great Influenza: The Story of the Deadliest Pandemic in History by John M. Barry to see how the world coped at that time.

A New Jersey friend asked if I had been taking virus pictures around Vicksburg. I wondered, how could I show what was different than normal? A hundred photo web pages recommend lame coronavirus exercises such as “How to photograph an egg in creative light” or “Get closer to your pet or your broccoli for the most impactful portraits.” OK, maybe if you are totally confined indoors and are totally bored. But here in Vicksburg, Mississippi, we are not confined indoors, and I thought of some topics.

Quieter streets

Photographers around the world have shown pictures of their normally crowded streets being completely empty. The Weather Channel has an article documenting penguins, lions, bears, and other critters walking in now-empty city streets. Vicksburg has also been quiet, but it does not look drastically different from normal. The streets here have traffic but usually not bumper-to-bumper. As a bicyclist, the quiet streets are very welcome. Night-time is gloriously serene. The mayor enacted a curfew from 11:00 pm to 05:00 am, and for once we do not hear old jalopy cars clunking down the street at all hours of the night. Now we can hear tree frogs or an occasional tow on the Mississippi River.

Spring Street view north, Vicksburg, Mississippi, USA (expired Kodak Panatomic-X film, Hasselblad 501CM, 250mm ƒ5.6 Sonnar lens)

Speed Street view west, Vicksburg, Mississippi (Rolleiflex 3.5E Xenotar, Kodak Tri-X 400 film)

Polk Street view east, Vicksburg, Mississippi (4×5″ Tri-X film, 135mm ƒ/4.5 Schneider Xenar lens)

By the way, I mentioned animals above. A police department camera recorded a bear ambling near the City swimming pool. But we do not have penguins.


They are are closed! Normally, they are open 24 hours. The casinos are situated along the banks of the Mississippi River. Here are two examples.

WaterView Casino closed for virus, Vicksburg, Mississippi, USA (4×5″ Tri-X film, 180mm ƒ/5.6 Caltar IIN lens)

Ameristar Casino closed for virus, Vicksburg, Mississippi, USA (4×5″ Tri-X film, 90mm ƒ/6.8 Angulon lens)

No more cruise boats

Up through February 2020, 3 or 4 river tour boats per week moored at the Vicksburg waterfront. The river cruise business was devastated by the 2007-2008 recession but had nicely recovered. The tourists took busses to the Vicksburg National Military Park and to some of the churches. I am not sure if they spent all that much in town, but it was nice to see visitors. This is a photograph of the “America” moored at the waterfront during happier times in 2019. We also saw many visitors from Europe, especially music lovers who drove Route US 61, the “Blues Highway,” but they, too, are not here now.

Paddlewheeler “America,” Levee Street, Vicksburg, Mississippi (Fuji Acros film, Voigtlander Vito BL camera, 50mm ƒ/3.5 Color-Scopar lens, polarizer)

Limited changes

Even the gas stations are a bit quieter. But some places in town look about the same as ever. The dudes still hang around the gas station convenience stores and the car wash places, as if they did not read the warnings about not gathering in groups. And almost none of them wear masks.

Top Five, 1108 Bowmar Avenue, Vicksburg, Mississippi (Leica IIIC, 50mm ƒ/1.4 Canon lens)

Industrial activity

The Port of Vicksburg is still operating, but traffic is definitely less. 18-wheeler trucks still rumble by with timber, lime, cement, or petroleum products, but there are fewer private cars and pickup trucks. The tank cars in the photograph below have been sitting on the siding for months. Possibly they are being used for storage of refined petroleum, but I am not sure.

Haining Road view west, Vicksburg, Mississippi (4×5″ Tri-X film, 180mm ƒ/5.6 Caltar IIN lens)

Haining Road view east, Vicksburg, Mississippi (4×5″ Tri-X film, 180mm ƒ/5.6 Caltar IIN lens)

Closing comments

The virus restrictions have been more relaxed here than in many big cities, where people had to stay indoors for weeks. I live in a big old southern house and had plenty of chores and repairs to do. My wife and I can go out and take photographs, walk, or ride bikes. We did not consume or ingest any disinfectant or malaria drugs as per the “medical” recommendations from the fraud in the White House. We have coped with no issues at all.

One benefit of having a bit more spare time was reviving my 4×5 inch Tachihara camera. I was embarrassed that I had not used it since 2012. The equipment to use big pieces of film sitting in a closet, year after year? I retrieved the kit from the closet, checked the lenses and shutters, and loaded some film holders in a dark closet. At first, I was awkward, but the technique came back quickly. The Tachihara is a wooden field model and a tripod-only camera. Press photographers in the 1940s successfully hand-held 4×5 Speed Graphics (you have seen them in movies accompanied with big flash bulb reflectors), but mine does not have any sort of rangefinder. I even bought a lovely little 90mm ƒ/6.8 Angulon lens for wide-angle work. Here in town, I found a handy advantage to the reduced traffic: I can set up a tripod in the middle of a street and not have any issues. If I wear my orange National Park Service vest, some drivers stop, thinking that I am a surveyor or city employee.

We will get through this. So will you 35MMC friends. Be well, be careful, photograph your world with film, and make sure you get vaccinated.

You can see more of my photographs at Urban Decay. Thank you for reading.

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About The Author

8 thoughts on “Virus in Vicksburg – a quick overview by Andrew Morang”

  1. Lovely photographs Andrew, I especially liked the range of tones captured in the images; black and white is definitely great for this style of documentary photography.

  2. Thanks for this really interesting set of pictures. It was particularly helpful to have the added film and lens/camera info. I’m a bit jealous of your range of kit!!


    1. Thank you and Michael for your comments. As for kit, well, I am an old geezer and have accumulated equipment over the decades. As I noted in the article, my 1980s 4×5 camera had sat in the closet unused for years.
      It has been rewarding to use it again!

  3. Very nice pictures. It is nice to see someone on this website using a 4×5 Field Camera. After decades of shooting only 35mm and then starting in the ’90’s digital, I have recently gone back to film. That lead me to medium 645 format, and I was so pleased I bought a Makina 67 which lead to a beat up 6×9 Brooks Veriwide now in for repair, CLA and cosmetic work and now I just bought a pristine used 4×5 Zone VI mahogany Field Camera. Yes it is heavy, but 4×5 is a contemplative format requiring a good tripod and concentration correcting perspective in camera rather than in digital post processing, etc. It will be a totally new experience and I’m looking forward to new photographic adventures. I will be shooting 120 roll rather than 4×5 as soon as I gather up hardware from Ebay. The reason? I already have processing equipment for 35mm and 120 and I really don’t feel like investing in more equipment for processing sheet film.

  4. Revised comment:

    I just checked on 4×5 sheet film processing equipment. It really looks ‘easy peezie’ compared to loading 120 reels. I had a terrible time loading Patterson reels and I now have a different type that I’m going to try, but that is another story for another time. Since converting my field camera to roll film will be a much greater expense, it seems to make a lot more sense to use it as intended. 4×5 here I come!

    1. Thank you for writing. Using a 4×5″ camera is a different mental process than what you use for a smaller roll film format. It definitely makes you slow down and contemplate each frame. There are two ways to process the film:
      1. Open tray. The room must be totally dark, of course.
      2. A 4×5 daylight tank. I use the Jobo 2521 kit, but other brands exist.
      Another option: send your sheets to a commercial lab. If you are not sure of your technique, why not do this for the first few times while you practice with your new camera? The Zone VI cameras were very nice. Good luck and have fun.

    2. James-regarding 120 reels and difficulty loading them, we’ve all been there. The joke used to be that when the lights went out, one side of the reel became larger than the other. I was not a fan of Patterson because with the extra width of 120, plus the fact that the film is thinner than 35, I worried that when rotating the two sides, the film might get kinked.

      My advice is to stay with stainless tanks with Nikor style reels, but stay away from the ones with a clip in the center. There is a brand-forgot the name-which has an open center. To be clear, three sides of the center have a wire going around, so only one side is open for the film end to be inserted, but this design eliminated the biggest loading problem.

      On the clip style, unless the film was in the clip perfectly centered side to side, you could not get it to begin feeding onto the reel. The open style let’s the film center itself once you begin to feed it on, and once you have done one revolution it will stay put as you finish loading it.

      This is hard to explain without a photo of the reel I mentioned. Sorry for that.

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