Since becoming re-interested in film shooting a couple of years ago, I’ve acquired a modest but high-quality collection of classic cameras: a Nikon FM and FE, a Mamiya M645, Oly...
I want to tell you about one of my most beloved cameras. So small, so delicate, so powerful. My precious Minox 35 GT-E. This might sound like a clichéd addict introduction to a ...
1 February, 2021
Meyer Optik Gorlitz 30mm f/3.5 Lydith II (The New Version) Review
The Lydith 30mm f/3.5 II is another remake of a remake of a classic lens from Meyer Optik Gorlitz. It’s moderately wide, fairly slow lens with a short minimum focusing distance ...
The Pergear 10mm f/8 pancake fisheye lens sample reviewed in this article is one of the early prototypes. I received this lens for testing purpose directly from Pergear.
The average 35mmc reader perhaps needs no introduction either to Magnum, or to the concept of contact sheets. But just in case, Magnum Photos, founded in Paris in 1947, is one o...
24 January, 2021
“Bardo: Summer of ’20” – a Photozine – by New Exit Group
I always told myself that my first publication would be representative of a large body of personal work, something only I could have produced after a few years of working on a p...
22 January, 2021
Regula RM & Mastra V35 Mini Review – A Pair of Kings – By Rock
When I got back into film a few years ago, the first camera I used was a nice looking vintage affair that I found on a boot sale stall - a Regula RM. I was attracted to its text...
19 January, 2021
Fuji Superia 400 – Single Roll Review – by Christian Schroeder
Let me set things straight: I do love Kodak Portra. It is the color negative film I use all the time. And, probably like many of you guys, could easily deal with it if Portra wa...
