In Part 1 of this series, I was exploring the different black & white stocks I had in my Lightroom Library, looking at things I had already shot to try to see the impact tha...
26 June, 2025
Re-valuing 3200 speed films @EI1000 with Ilfotec HC
I haven’t had too much reason recently to load anything into my cameras rated higher than 400/500 – and by recently I mean a few years now. My approach to documentat...
Telephoto lenses create such a literal and metaphorical distance between the photographer and their environment. Although one of my favourite lenses to work with is a 90mm, I re...
First, many thanks to all for the collective wisdom and inspiration from the 35mmc community coming out of part 1 of this informal survey of b&w film. What started as a a f...
Since picking up film still cameras again in June, 2024 I’ve sampled a range of film stocks with wildly varying results, particularly in black & white. My earliest fo...
22 April, 2025
An Inexpensive Adapter on a Sony Mirrorless and Auto ISO.
A M39 to Sony E adapter with Industar and Elmar lenses on a Sony A3000 shooting with auto ISO setting.
14 April, 2025
Fujifilm S5 Pro and What does “Film-Like” Even Mean?
Most film shooters would know that over the past few years there’s been chatter about certain older camera sensors, in particular CCD sensors, that are widely reported to have “...
18 March, 2025
Remembering an old, broken camera.
More than a decade ago, and I remember this as though it were yesterday, I was sitting in a North London pub waiting for my girlfriend to arrive. I had been taking photos with d...
