My second year of shooting film – Part 16 (Read Part 15 here) For about nine months now I have been developing colour film at home, so I thought it was time to share some experiences. But to start with my conclusions: I don’t have a fool-proof strategy yet. My biggest struggle is dealing with …
Experiments in Developing Colour Film At Home: The Chemicals Dilemma – by Aukje Read More
A while ago I decided to take the next step with my film photography, or moreover in gaining knowledge and understanding of how the final image comes about. Today I want to share the why, what and how of my scanning adventure.
Ahem, Ok, I guess I have some ‘splaining to do here. Some time ago I wrote this post for 35mmc, in praise for expensive outsourcing of film development and scanning. I wrote it because I wholeheartedly believed what I said. And I still think that the time saved by having a lab scan your film is invaluable. …
Finding the value in home scanning – Guest post by Frank Lehnen Read More
… After looking into lab offerings both locally and abroad I was disheartened. None of the labs were significantly better, cheaper or faster as a whole. However I soon concluded that if I scanned myself I could get my cost down to a third and cut delivery time to days instead of weeks – a compelling proposition indeed….
First let me get something out of my system: Film should be wet printed! Yeah, and I should be really rich and the whole world should be at peace. Problem is, I don’t have the space and the time needed to wet print, so this is out of the equation.
Then there’s your local friendly photo lab. As much as I am for keeping local businesses in… business, I am definitely not happy with their prints, at least black and white prints.
