This is the second part of my images from Albania from August/September 2025 with my Minolta SRT-101 on Silbersalz35 (250D) film. The first part can be found here. Gjirokastra C...
This photo, taken in the centre of Padua, with my Nikon 35TI and a Ferrania P30, shows a composition’s dilemma. The idea was to explore the usual technique of ‘frami...
Olympus IS-5000 the bridge to digital.
Before diving into the story, a brief explanation of what this – wholly unremarkable – image portrays. This is a London “mews house”, a type of property built by/for wealthy, qu...
My go-to, daily shooter is Flic Film’s Ultrapan 400. It has a smooth midtone roll while zones II and III hold texture. It comes in reusable cartridges for my hopes of one day bu...
Friday, February 13th — it was Valentine’s eve in New York City. After a punishing cold snap that had lasted weeks, the weather had warmed up enough for people to g...
I don’t shoot flash very much, but I had been on the look out for a little one for the Nikon Zf when my contact at Viltrox asked me if I’d be interested in trying their new Vint...
In my previous articles, I explored two of the most classic and iconic black-and-white films: Kodak Tri-X and Ilford HP5 Plus. Now I turn my attention to a classic colour negati...