Trying to capture traditional Albania on Silbersalz35 film – Part 2

By Matthias Steck

This is the second part of my images from Albania from August/September 2025 with my Minolta SRT-101 on Silbersalz35 (250D) film. The first part can be found here.

Gjirokastra

Cause of bad travel planning we only visited the world-heritage town of Gjirokastra for one day. Gjirokastra has a very worthwhile old town with numerous magnificent houses from the Ottoman period and a large fortress. It has now become one of the main tourist attractions in Albania. Strolling through the small lanes going up the hill there is still a lot of authentic things to discover.

Minolta SRT101, MC-Rokkor-PF 1.4/58mm, Silbersalz35 250D

Like many places in Albania, Gjirokastra is full of stray cats. This young white one sat in the court of one of the beautiful houses from the Ottoman era. I really like the softness of the Minolta MC Rokkor-PF 1.4/58mm wide open in this shot.

Minolta SRT101, MC-Rokkor-PF 1.4/58mm, Silbersalz35 250D

The old basar of Gjirokastra has already become a thoroughly touristy place. In the shops they’re mostly selling just cheap tourist junk, but there’s surprisingly good food and nice local crafts to be found as well. But on this late August evening the place had still a relaxed vibe.

 Minolta SRT101, MC-Rokkor-PF 1.4/58mm, Silbersalz35 250D

I’m not a street photographer at all, but here I had to try it a little bit. Some locals in the middle of all the tourists.

Minolta SRT101, MC-Rokkor-PF 1.4/58mm, Silbersalz35 250D

Classic street photography fail: I wanted the dog to come in the center of the frame. But it came too slow. Instead the tourist with the white shirt stepped into the frame. I like the image anyway.

Minolta SRT101, MC-Rokkor-PF 1.4/58mm, Silbersalz35 250D

View from the town to the huge fortress above it. Cause of bad planning we hadn’t time to visit the fortress which is alone a site for a whole day with history buildings, museums, tunnels and bunkers.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

Stray dogs in one the bunker tunnels below the fortress.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

Qeparo Fshat and Albanian Riviera

The so-called Albanian Riviera is the Mediterranean coastline in southern Albania. The landscape here is spectacular: high mountains drop steeply into the sea, interspersed with long beaches and hidden coves. In July and August, it gets very crowded with tourists—including many Albanian vacationers— and the beaches can become quite packed. However, we stayed in Qeparo Fshat, an old, partially abandoned village perched on a steep hill high above the sea.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

The so-called Tower of Ali Pasha a bit outside of Qeparo Fshat. I don’t understand why this Ottoman regional governor of the early 19th century is regarded here as a kind of national hero.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

If Ali Pasha indeed stayed here, he at least had a great view to the Mediterranean. The island in the background is Korfu, part of Greece.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

The mountain slopes of the Albanian Riviera are covered with vast olive groves.

Minolta SRT-101, Minolta MD Tele Rokkor 2.5/100mm, Silbersalz35 250D

You can encounter free-roaming cows almost everywhere: in villages, on the beach, or even on busy roads.

Minolta SRT-101, Minolta MD Tele Rokkor 2.5/100mm, Silbersalz35 250D

By late August and early September, with a bit of exploring, it’s still possible to find peaceful beaches, like this one below Lukovë.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

Little waves…

Minolta SRT-101, Minolta MD Tele Rokkor 2.5/100mm, Silbersalz35 250D

Sunset at the beach. Big cliché but always beautiful.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

Albania is an incredibly photogenic country. There is so much I didn’t capture: the shepherds with their flocks, the makeshift bridges over wild rivers and canyons, the socialist architecture, and the industrial ruins—often set in stunningly beautiful landscapes. You could fill an entire coffee-table book with those alone.

I hope I can return someday (before everything has changed) with Medium Format and shoot all this.

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About The Author

By Matthias Steck
Matthias is an amateur photographer from Munich, Germany, always struggling to find some time for (mostly) nature and travel photography besides job and family. Shooting analog and digital, on film slowly switching to medium format, but still loving my Minolta gear.
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Comments

Ibraar Hussain on Trying to capture traditional Albania on Silbersalz35 film – Part 2

Comment posted: 21/03/2026

I really enjoyed the essay but the photos are beautiful - lovely delicate timeless look and tone. Lovely compositions and have so much feel
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Gary Smith on Trying to capture traditional Albania on Silbersalz35 film – Part 2

Comment posted: 21/03/2026

This film appears to be a German "boutique" stock? Having just visited he Silbersalz site, I really wasn't able to figure things out. Does it need to be processed by them? It certainly gives a nice look. My local shop doesn't seem to carry it.
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Matthias Steck replied:

Comment posted: 21/03/2026

The film stock is Kodak Vision 3. You buy the film stock, the ECN-2 processing and the scanning. You can choose between neutral scans and scans with some color-grading. Mine are with the color grading. Processing and scanning is done in Berlin. If you're not in the European Union it's not an reasonable option.

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Gary Smith replied:

Comment posted: 21/03/2026

Thanks Matthias!

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Walter Reumkens on Trying to capture traditional Albania on Silbersalz35 film – Part 2

Comment posted: 21/03/2026

A lovely, interesting travelogue and a good selection of subjects in the photos. I also like the photo with the dog, and the person walking into the frame really makes the picture stand out. What strikes me, however, is the rather narrow exposure latitude. Given that Kodak Vision 3 is only available in 36-exposure rolls from Silbersalz, this should be wider than with standard negative films. I’d like to mention the dogs in the tunnel as an example. Were the films not exposed for the shadows, as is generally recommended? Or is it down to the development process and scanning? Is the company being hyped up? Were the image files post-processed on the computer, which is said to be absolutely essential with cine film? I don’t know; perhaps I just have a problem with the ‘vintage look’.
When the successor to your camera, the Minolta SR-T 303, came onto the market, I took up SLR photography. Back then, slide film was the norm because of the cost and the slide shows we’d have with friends after our holidays. I used Kodak Ektachrome 100, Kodachrome 64 or Agfa Professional slide film. Years later, I scanned quite a few of them using a slide adapter on a full-frame DSLR. When I compare the image files from the Silbersalz35 250D with my older photos, mine are sharper, the colours are more authentic and the shadows are less washed out. Cinematographic film is a fashion trend, and the films aren’t cheap – it doesn’t have to be Portra or Ektar.
If I were going on holiday in 2025, wherever that might be, I wouldn’t have wanted to take any vintage-style photos with my Minolta SR-T 303 – which I still own – and would have opted for a Kodak Gold 200, for example, which also produces excellent results as a 120 roll film. I have no issue with your decision, nor with your photos or subjects. But the Silberglanz35 250D doesn’t convince me. Thanks for sharing, Matthias.
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Reinhold Graf on Trying to capture traditional Albania on Silbersalz35 film – Part 2

Comment posted: 21/03/2026

Nice images you made from Albania. I made a bicycle trip around Albania‘s southern half in May last year and indeed, this country is beautiful. However its way to join the EU is quite hard, seeing the countries development and its cultural and political issues. There is great uncertainty on how this path will unfold in the future and people start losing confidence and hope that this will go out well. Our tour guide was quite open talking about all that.
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Tony Warren on Trying to capture traditional Albania on Silbersalz35 film – Part 2

Comment posted: 23/03/2026

A realy enjoyable read Matthias and one that will send me to the library to learn more of the Ottoman period. I used SRT Minoltas for several years and, like you, appreciated their smoothe sharpness. The colours are very realistic, the more neutral tones in the stonework in particular are impressive. I agree with Walter that the latitude is a little restricted, kind of ortho colour. Even so, the images are excellent. I particularly like the landscapes and the two guys chatting.
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Omar Tibi on Trying to capture traditional Albania on Silbersalz35 film – Part 2

Comment posted: 30/03/2026

Great to see part 2 up Matthias! Lovely photos and I really appreciate your narration of your trip. Albania is beautiful and I would love to go there myself sometime soon!

I really liked the photo of the two random Albanian guys relaxing amongst all the tourists. It feels very authentic to the spirit of the country, and to life in general.
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