Latest Posts
9 December, 2021
A Year in Slide Film Part 1 – Shooting – By Holly Gilman
I was originally put off shooting slide film because I had heard that you needed to be incredibly precise with your exposure otherwise the whole shot would be ruined. Frankly, w...
England is full of amazingly nice people. After Germany was removed from the Amber List, and quarantine in a British hotel no longer needed, Nadja and me jumped into the camper ...
7 December, 2021
Getting the Shot: A Hybrid Workflow Odyssey – By Jamie Winder
I am not a purist. Not when it comes to the things I enjoy, nor the way I work, and definitely not in the way I approach photography. I love shooting film, but will spend time i...
6 December, 2021
Ernst Leitz (Leica) Elmar 9cm f/4 Collapsible – The Near Perfect Slow Lens – By Agata Urbaniak
This is a review of the Ernst Leitz (Leica) Elmar 9cm f/4 Collapsible lens. Hamish recently reviewed the huge and very fast TT Artisan 90mm 1.25. This is perhaps the antithesis ...
5 December, 2021
Carbon: A Photographic Project – By Dan Zorg
Carbon is a photography project shot by me and my friend Fabio Passoni from 2020 and the beginning of 2021, in the middle of the Covid pandemic. In late summer of 2019 we had ju...
4 December, 2021
Street Protests on Film: Leica M2 and Rolleiflex 2.8F – By Exphotog
I remember covering the Black Lives Matter protests in the US a few years ago--before I made the switch to analog full time--vividly: the police sirens, blocked streets, chantin...
3 December, 2021
Photosynthesis: A Double-Exposure Art Project – By Ben Felten
In March and April of last year I published two articles on 35mmc detailing my experiments in double-exposures. For a while now I’ve been meaning to come back and tell mor...
I promised a couple of commenters on my last article that I would share some of the “normal” images from my first batch of C-41 developing. Now that I’ve also shared some result...
